Kirkman Answers Fan Questions – Part 1 & 2

TWD-S3-Robert-Kirkman-Fan-Interview-325In Part 1 of Robert Kirkman‘s fan chat, The Walking Dead Executive Producer and Writer talks about killing off characters and the eerie similarities between The Walking Dead and a kid’s movie.

Q: What was the reasoning behind having Laurie Holden’s character killed in the Season 3 Finale? –Cancerdog

A: We were really working on the Woodbury arc, and it sort of played out that it made sense. The only thing that would make Rick accept the remainder of Woodbury would be something as tragic as seeing Andrea lose her life. The unfortunate thing about all these deaths is that right now the audience is saying, “Oh my God, why did you kill Andrea?” We understand that’s an emotional thing — it’s supposed to be — but there’s a lot of stuff in Season 4 that comes from that moment. Once the viewer sees the next season, they’ll know why we did it.

Q: How do you let the actors know their number is up? And do they get any say on the amount of blood spilled? –Ani Munoz

A: They get as much input into their death scene as any actor does in any scene. It’s a back and forth, and there are a lot of discussions that go between writers and directors and actors. As far as when they find out that they’re dying, usually it’s a call before the script comes out. It’s very late in the process. We try to be really mindful of the actor’s process — we don’t want an actor to play a scene differently because they know they’re going to die.

Q: With Rick bringing more people back to the prison, will this is some way complicate his relationship with Carl? –Diana M Sawyer

A: We’ll have to find out in Season 4, but I will say that the dynamic between Rick and Carl is going to be a central focus of the season, and it is going to change in some startling and interesting ways.

Q: Can the group survive if something happens to Rick? –Jamal Montgomery

A: Yes, absolutely. We’ve been saying that no one is safe on this show, and I wouldn’t rule out seeing the death of Rick Grimes at almost any point. We really like to keep people guessing, and I could definitely see some interesting stories coming from that. While Rick has been a pretty solid leader, he’s definitely made his share of mistakes. I think seeing Daryl or Maggie or Glenn picking up a larger leadership role in the group could pose some interesting story possibilities.

Q: Can you talk more about the casting process for the show? –Always Walking Dead

A: We work with our casting agent and go over a wide range of people and tons of footage. A lot of people remark on how similar our cast is to characters in the comic book series, and it is kind of a strange coincidence that as we’re looking for the best actors for the role, sometimes we’ll come upon someone who looks unusually like the way they’ve been drawn in the comic book.

Q: Robert, will we see Morgan again? –TonyinKC

A: Well, all I can really say is that the guy’s not dead, and Rick definitely knows where he is. The door is always open for an eventual return of Morgan. When or how that will happen will have to remain a mystery for now, but I think it’s definitely a possibility.

Q: There’s recently been a meme comparing The Walking Dead to Toy Story. Be honest: how much did Toy Story inspire your work? –Moot_Lagoon

A: It’s hilarious. There are definitely some eerie similarities. Toy Story is a fantastic piece of work, and it’s flattering to be compared to it in any way, but I will say that I think some of the similarities are a little bit stretched. I’ve definitely seen all three [Toy Story movies] and there’s a good bit of emotion from seeing anthropomorphic toys and their relationship to the kids they belong to, but I don’t think there’s any kind of inspiration drawn from that in The Walking Dead.

Part 2

TWD-S3-Robert-Kirkman-Dispatch-325

In Part 2 of his fan chat, The Walking Dead Executive Producer and Writer Robert Kirkman talks about the possibility of Daryl finding romance in Season 4 and shares his thoughts on living life as a zombie.

Q: Can you shed any light into how the Governor’s story will continue…or close in Season 4? –Jeffrey Hawboldt

A: I can say the Governor will certainly be around. But we’ll be seeing him in a new light, and doing some different stuff with him, so it’s not going to be the same Governor in Season 4.

Q: I find it hard to believe the most badass dude in the zombie apocalypse is the only guy not getting laid! Will Daryl ever have a love interest? –Johnny Zimmerman

A: Never say never! I think that it could happen eventually. I wouldn’t want to spoil anything, but Daryl is a complex character and he’s really got a lot of emotional hurdles to get over in his life. It is kind of odd that we haven’t seen him in that kind of romantic light, but I think that adds a layer to the character that makes him a little more mysterious and a little cooler. But I wouldn’t rule out some kind of love interest for him in the future.

Q: At this juncture, the TV show has veered away from the graphic novel series. If you had to choose one of the two universes, which would you say is your favorite? –therunningdead

A: Well, I’m a little biased because I’ve been writing the comics for a decade, but I consider that to be the original. The comic book is where it all came from, so I consider the TV show to be an alternate to what happens in the comics.

Q: How do you decide what information from the comics to keep the same, and what to change? –Erica Britt

A: Well that’s a long process involving all the writers, the showrunner, everybody. It’s really a matter of sitting down at the beginning of the season and working out what happened in the comics and when and how and why, and seeing if it plugs into our world. It’s a pretty organic thing. Also [it's a chance] to set up things and do comic book moments in ways that I didn’t really do when I was writing the comics — with the benefit of hindsight.

Q: Are there any story lines you explored in the TV series that you’ve considered for the comic? — Dani

A: An example is that really great exchange between Hershel and Glenn, where Hershel talks about how you never know who’s the right guy for your daughter until you meet the right guy. It’s really a poignant thing that [Producer] Angela Kang wrote. I never had a moment like that between Glenn and Hershel, and that kind of thing would be nice. But the way these things work, I’m writing issues where — spoiler alert — Glenn and Hershel are dead. So it doesn’t really translate well, unfortunately. It would be nice to mine the great work of these fantastic writers on the show and make my job easier.

Q: When Merle is attracting the walkers to his car to take out the Governor, the first one to approach looks exactly like the iconic zombie from Dawn of the Dead, 1978. Was this a nod to that film? –radio118

A: It was a nod to that walker from Dawn of the Dead — and we had to do it twice. Greg Nicotero is a George Romero alum, and he wanted to do a little nod to Romero, so he made up that walker and put it in a scene. But that scene ended up getting cut, so he did it again to make sure it made it in the show.

Q: Do you ever wish you were a walker? –Amanda Calvert Simpson

A: No, never! Being a walker would be terrible. You smell bad, you’re falling apart, and I’m sure it’s really uncomfortable. But even just from a practical real-world standpoint, those guys are covered in latex and sticky paint and fake blood, and it’s hot in Georgia. I have a tremendous amount of respect for anybody who plays a walker on our show, because it is an extremely difficult job that I will never do because I’m lazy and I don’t like being uncomfortable.

Source: The Walking Dead on AMCtv.com

Zombie Story – A Walking Dead/Toy Story Comparison

I was having a look through Reddit and found something truly brilliant posted in The Walking Dead subreddit. I came across a Walking Dead / Toy Story comparison that was created by writer/animator John Wray (known by JimmyLegs50 on Reddit) when he noticed that there was some mind-blowing similarities between the two franchises.

Betcha’ didn’t realize that Toy Story and The Walking Dead have virtually the same characters and storylines, didja’?

01 Hero

02 Misfits

03 Macho b

04 Loves Kid

05 Grows up

==> Continue this comparison by viewing the entire album on Imgur <==

================

Let us know what you think of this in the comments section below, has anyone else ever picked up on these similarities before?

New Kid on the (Cell) Block

Death is everywhere. Lurking around every corner, through every door, and down every stairwell, it is seen, heard, felt, smelled, and even tasted—it is inside everyone. The Grimes Gang has been put through the wringer (to put it ever so delicately), and somehow they’re always kicked when they’re already down. But, as they run through the tunnel of murky darkness of uncertainty and despair, and decay of a life that once was and hopelessness of ever returning to it, a glimmer of light, born through death itself, is there to greet them—a baby—a baby? A baby! The baby.

Walking Dead Baby Grimes

I’m going to take a leap of faith here and refer to the li’l whipper snapper as Baby Grimes, because, well, as Lori told Shane in season 2′s “Pretty Much Dead Already,” “Even if it’s yours it’s not going to be yours.” So, until DNA is submitted to Maury Povich for testing and the baby is scientifically proven to be a Grimes or a Walsh, Rick, you are the father.

Baby-daddy conflict aside, this child certainly has the cards stacked against her. She was conceived during an outbreak of an unknown infectious disease that turns dead human beings into fiends whose only mission is to eat you, aka the zombie apocalypse. The Four Horsemen could have rode into town, but her parents clearly weren’t thinking about that. After nature took its course and Lori discovered she was with child,  she panicked and tried to terminate the pregnancy by popping and then spitting out a handful of morning-after pills. By that time, Baby Grimes was already locked and loaded, and was impervious to the effects of such drugs. Over the next several months, the unborn baby’s host was subjected to daily emotional and physical stress, and possible (more like probable) malnutrition, which, in a normal, walker-free environment, would be grounds for miscarriage. Combined with a lack of prenatal medical care—sorry, Hershel, your offscreen examinations just didn’t cut the mustard; Carol’s postmortem version of the game Operation was entertaining, but, alas—this kid’s chances of survival weren’t looking so good. But, Baby Grimes somehow managed to endure—to survive—just like her parents, her brother, and the family she was about to be born into.

In near darkness, on the floor of a boiler room in a prison, with death shuffling past the unlocked door, sparing those behind it, Baby Grimes was born shortly after her mother drew her last breath. Lori’s hope for her children, and the strength and fearlessness she showed as she lay dying were passed on to her daughter. A symbol of love, hope, purity, forgiveness, and strength, Baby Grimes represents everything the group needs so they don’t lose sight of what it means to be human—living, civilized, good people. Although she is also the group’s greatest obstacle, she is meant to be.

Emerging from death, surrounded by death, the baby not only survived her environment, but appears to have thrived in it. The cherub-like infant seems to be healthy, and after crying for only what seemed like a moment, she was quiet as the walkers passed by—it’s almost like she knew to make herself invisible. Sadly, she was also invisible to the one person who should have embraced her—Rick. He was naturally and understandably overcome by the grief of losing Lori, but he didn’t even acknowledge his new daughter. He had some other matters to attend to. Mr. Grimes, you have a telephone call at the front desk.

Like Lori, Rick probably had a different vision for the birth of this child. He and the group had been through so much and worked so hard to move into and to secure the prison so Lori could have as comfortable—and safe—of a delivery as possible. Since the day he met the group on the rooftop in Atlanta, he took responsibility for their safety, often putting himself and his own family at risk. Although their relationship was extremely strained, the prison was Rick’s chance to prove to Lori that he had his family’s best interest in mind—and to escape the ghost of Shane by starting fresh with a clean slate. The baby was going to help them repair their marriage. However, Rick’s decision to let Andrew test his luck with the walkers ultimately led to the group’s safety being compromised, including T-Dog’s death and Carol’s disappearance—but was it really to blame for Lori’s death? Rick seemed to think so. Lori could have hemorrhaged to death while sitting on a lawn chair, drinking a glass of lemonade, watching Carl throw rocks at the walkers on the fence, and the outcome could have been the same. Regardless, Lori is dead, along with Rick’s hope for a fresh start and a chance of returning to normalcy. From that perspective, how could he possibly deal with a newborn, much less come to terms with the fact that she even exists?

Rick Grimes holding his baby daughterDeny it. Immerse yourself in guilt, and have telephone conversations with dead people. Check on your son and the rest of the group, but completely ignore your daughter…until you speak with your dead wife on the phone and realize that you need to get off the phone, deal with your issues instead of running from them, and hold your daughter for the first time. Perhaps Rick needs this baby as much as she needs him. He might secretly question whether she is biologically his, but one thing he knows is that beyond a shadow of a doubt, Lori was her mother—and part of her will live through their daughter. Now that Rick can accept Lori’s death and has closure, can he now see the light at the end of the tunnel? Is his hope restored? Can this kid finally be named?!

Naturally, raising a child in this environment will be challenging. Hell, raising a child in a pre-apocalyptic environment can be difficult. It has been said that it takes a village to raise a child—this couldn’t be any truer for Baby Grimes. So many challenges already face the group—how will they deal with the added stress of raising and protecting a baby? During Rick’s literal parental leave, the group embraced the baby, and without reluctance, complaint, or even a sigh, Daryl and Maggie immediately left to search for formula. The group has been as selfless in caring for the baby as Rick has been in leading them.

Daryl Dixon with BabyAlthough the baby has found her way into the hearts of the Grimes Gang, it appears that Daryl in particular has a real soft spot for her. Upon returning from the daycare center, Daryl, of all people, held the baby and soothed her as her first bottle was prepared. He was the first to feed her. He was the first to discuss naming her. He was the first to really bond with her. It’s clear that he truly cares for this baby. Is she the new hope for Daryl? Is she his second chance? Is she another child for him to protect? Is she the one he won’t fail? Will she give him a chance to forgive himself? When will he take the baby on her first squirrel hunt? I hear he’s working on a papoose.

What kind of life will Baby Grimes have? This new world that the survivors hope is temporary could be the only world she ever knows. If she lives to see at least her 5th birthday, will she have grown to be a soulless, cold, killing machine? Will she ever have a chance to be a kid? Will she ever have the chance to experience the life her brother did? Will she ever have the chance to be happy?

Rick Grimes kissing his babyThe Grimes Gang is determined to return to a life that is as close to normal as possible. Most people wouldn’t be too pleased with the term “life in prison” describing their lives, but since fleeing Hershel’s farm, and being on the run for several months, the prospect of the safety and security of a prison sounds pretty damn good. Every new home can use a good cleaning, and the prison is no different—once the walkers are eliminated, the group can begin its renaissance…with the sound of a baby’s laughter echoing throughout. Normal. Happy. Safe. Death may be everywhere, but so is life—and it always goes on.

Even with the Governor just around the corner.

Will Baby Grimes survive this season?

Would you like to write here on Talking Walking Dead?

If you enjoy The Walking Dead on a deeper level than most, then this may be just for you!

First, a bit of background…

I created this website last year as a small time blog for myself, one where I could share my thoughts and feelings of TWD with a few friends. I slowly began thinking about getting others involved besides myself, because I was kinda getting bored of reading my own posts all the time. I wanted to let others share their own thoughts/opinions and analysis on the show, and that’s when I got the idea of taking this small time blog and turning it into a much more developed fan site. Fast forward a year and we already have a selection of site contributors (read more about them here), A Facebook page that’s away to hit 30,000 likes, 2,620 followers on Twitter (including various RT’s from TWD cast & crew) and a hell of a lot more site content that we ever previously had. We have also had over 658,000 Walking Dead Fans view this site since it began – Not bad considering it was only started out for a very select few.

During the course of this year, I have made friends with various different people. I have even managed to reach out to some of those who have actually had the pleasure of working on the show. It’s been great fun creating a website whereby everyone with the common interest that is The Walking Dead can come and share their thoughts with so many other fans. I have no plan of stopping this anytime soon, and I would love for it to keep growing at the pace it is which is why I am asking you this.

If you would like to become a writer on this website, then please do get in touch and let us know. I have always said this is a fan site, written by fans, for fans, so if you would like to share your thoughts and create your own articles for the site let us know.

Send me an email, or leave a comment on this post below, and we will see about getting you set up as a site contributor right here at Talking Walking Dead. Please, only get in touch if you are serious!

I look forward to speaking with all you other fans and reading your analysis on TWD.

Thanks!

-Iain Geddes

A Ramble On: Character Development

Spoiler Disclaimer! Hey, if you read this you might have something “spoiled” for your viewing pleasure. Which I personally think is impossible with TWD as hearing something happens can never spoil the impact of actually watching it happen. But, you were warned.

So another Walkerday is upon us and I’m pretty excited. If you don’t know what Walkerday is, it is the long deserved renaming of Sunday. Sunday, that notoriously T.V boring day that every couch potato has dreaded for decades. But now we have walkers. I think Kirkman, TWD, & AMC deserve some Nobel prize for this feat alone. Now the seventh day is Walkerday.

Since the season 3 opener we have seen a much sharper, agile, and deadlier survivor crew. Somehow they managed to make it through winter in Grimestopia without losing anyone. I was impressed that everyone, including Maggie, had learned to tone that terror of zombies into a manageable respectful fear. Maggie went for that axe, with a walker charging down and no one covered her, and she did it with purpose. Everyone better knows the abilities and limitations of the rotting menace, which is good, as they waste no energy in pointless motion or fear.

It is fun to sit here in the early days of the TV series, and a solid 9 years of the comic series, and speculate on things. It’s a bit like an odd chess game maybe, trying to see how some character development that happened in the comic will work itself out in the very different show. One might laugh as there is no way of knowing if the show will even come close to nine years of run. I bet it will. A case in point is Rick. He is burning hard, going down that rabbit trail to total fanatical dictator, anger ripping his spirit to shreds. He is outside the door to that dark place. Now, in the comic Rick has a friend at this point in the story named Tyreese, who is a smart badass. They go through some crap and eventually Tyreese has to beat a few points into Rick’s thick head. Sometimes, this is the only way back out of the dark place.

There is no Tyreese in the show obviously, so who will step up? The crowd yells back, “Daryl !!”.  Ah yes, Daryl. He definitely has the character I imagined Tyreese having, and unlike Shane, I think he could win a fight with Rick half the time. The problem is: The beating needs to come from someone who is pretty close to the person needing the attitude adjustment. Someone the person respects, and most importantly someone that the person will want to keep the friendship with and repair it. I personally have not seen that depth of friendship, but I suppose it is possible but it won’t be as believable.

I wrote to the Letter Hacks for the comic asking a similar question about Carl. And was I shocked to not only have my letter printed, but I got the last page of issue #100. Total fluke, random event, but I feel honored somehow. My question was that Carl (in the comic) is clearly the heir to whatever Rick manages to build, and is also his father’s son to the bone. But he is so only through a hellish series of events that toughen him, balanced by very special events that help keep him sane. Most of these events will never happen in the show due to child safety laws, etc. Case in point: In the comic Carl kills Shane, the living breathing version, and in the show he kills zombie Shane. These are two very different psychological events. Young Carl can easily rationalize dropping a walker, but a living person is harder to deal with.

Time and again in the comic, it is Sophia that keeps Carl from growing into some serial killer by reminding him that it is Ok to be scared or compassionate, or just a kid sometimes. So, how does Carl get the right kind of tough and mean when none of the elements are there to make it happen? I really didn’t expect any other reply than the one I got, which was Kirkman’s standard, “You’ll have to wait and see.”  I did hope for a little more, not spoilers, but at least a, “Yeah, that is something I’ve thought about but think I have it covered.”

So, I watch all these characters and imagine and ponder. Is Kirkman and the writing team growing these characters believably? How would I have done it different, presuming I had the skill? Because it’s the believability in these average human beings that makes the show so compelling. You can believe that a Portal playing pizza delivery guy would be good at roping zombies, and you can see yourself in the situations presented and wonder how you would have reacted. I took that AMC test and it confirmed I am a “Dale”, and I have some leaning of Rick. I feel reasonably confident of how I would respond in a severe disaster. Fun stuff, really.

One of the thousand things that make the TV show The Walking Dead unique though is that there is the 9 year legacy of the comic series. You get to look into an alternate reality future for these characters and see Kirkman’s vision of how they develop. You know how Kirkman envisioned Rick, Carl, Andrea, Glenn, Michonne two or three years past where our beloved survivors are right now. And if you really enjoy the comics you become so familiar with characters that you root for them to grow into the people you know. Which is very fun.

That is the thing about a hobby. A hobby should in a fun way take you out of the grind of the day job, the hassles of getting through the day or week, and do it in a fun way. And that is what The Walking Dead gives me, a little peace now and then. The fun of pitting my imagination against a ridiculously talented pool of Hollywood power. I know Kirkman is re-imagining the story for many of the characters, but I don’t get the feeling he has re-imagined many of the personalities themselves much. While I thought that the comic story of Dale’s death was much more thrilling, I can see how the show version served to mature Carl, impact Rick, and allow Daryl some right to let Rick know when he is out of line. I still feel that Dale’s death was kind of empty, and unrealistic for such a vigilant person. But it worked, and there was a poetic irony of Dale’s death occurring so close to Shane’s.

So, as summer fun has been washed away by cold fall rains I enjoy a little mental rambling. I just don’t see how you are going to get character X to point Y without event Z, Kirkman. But I am betting you are going to come up with a totally unsuspected variable and achieve it despite my doubts. You will prove my logic flawed once again, and I will enjoy the ride as you do so.

It’s your move, Kirkman.

Season Three: The Long View

As we eagerly wait out the hours left until the premiere of season three of The Walking Dead, I’m sure many of us are watching the season two marathon and wondering what we would do if confronted with the perils and heart-wrenching choices Rick and his crew have to deal with.

It’s a natural reaction to fiction, that immediate critique of every move the characters make. It’s also a sign of good writing and an engaging story, because it shows how involved we become. The aspect of The Walking Dead I became interested in the most (back in the day when the comic was less than two years old) was the long-term survival options.

The concept was so fascinating to me that I started writing a fictional blog, Living With the Dead, set in the zombie apocalypse. The main difference in tone between my work and TWD was that I wanted to look at how everyday life would change for survivors. That’s why I took the idea of a serialized zombie story, inspired by Robert Kirkman’s original and brilliant idea, and broke it down even further. TWD is a monthly title, and mine is told in real time.

What really amazes me about the show is how the cast manages to convey a sense of time passing. The little touches are many and light, from showing people hand-washing clothes to surveying the wreckage of the second most likely place to be pillaged, a pharmacy, the first of course being a grocery store.

I’m constantly impressed by those small details. The show manages to tell two stories nested inside each other, superimposing the personal dramas of the cast over the larger background of the zombie apocalypse. It would be simple to focus on one or the other, but where TWD shines is using both story elements to drive and affect each other. It would also be easy to forgo many of those tiny details that give the show intense realism. But by addressing things like birth control, the lack of medical care, the scarcity of fuel and ammunition, and a hundred other miniscule pieces of set dressing that give the story depth, the showrunners create a believable narrative that remains enthralling despite a few flaws.

More than a few of us groaned our way through season two. Oh, I watched every episode with the dedicated fervor of a man deeply in the grip of a heroin addiction, don’t get me wrong. But most of us face-palmed over Carl not staying in the damn house, or Lori oscillating between conflicting opinions while being annoying enough to make our eyes twitch.

That’s okay, though. Season two had a few warts as any sophomore effort will, but overall it was great entertainment. More, it was a huge setup for what’s to come. By showcasing so many instances of supply shortages and the general lack of modern conveniences, the writers and producers created an expectation (mostly subconscious, I think, but then I write my blog most days and think about this kind of stuff more than is strictly healthy) that season three would be brutal and harsh in ways the previous seasons can’t even approach.

Look at the promotional material if you doubt me. Everyone looks rougher, the colors are muted. The world appears coated in a layer of grime and dust. Even the clothing of the cast has undergone some serious wear-and-tear. The images of Rick are the most stark and startling: gone is the determined but somehow optimistic man who acts as a reluctant leader. In his place stands a rugged survivor who has killed when the situation called for it, refuses to step aside or take orders, and will do anything—anything—to protect his loved ones and his group.

The key thing I’m taking away here is that the show won’t solely focus on any one aspect of survival. I think it’s safe to say that they will continue to use the apocalypse to explore what the disintegration of society does to people and groups, how the lack of modern life affects priorities and decisions, and how people dealing with all that treat each other. I’ve never been so excited to see a show premiere, and that’s because there are so many questions about how Rick, Daryl, Lori and the rest will manage to keep alive in the face of so much deprivation and danger that I just can’t look away. I don’t just want to know how it works out, I need to know.

I’ve loved watching these characters grow every time the world knocks them to the dirt. Given what we’ve seen about season three so far, it looks like they’ll be growing or dying pretty quick. Does it make us bad people to so eagerly await bad things happening to characters we love? Maybe. But that’s a risk I’ll take.

 

A Discussion of Morality

The Walking Dead Season 2 endJessie:
Imagine the world that comes after the apocalypse ends. Few really consider what this would be like, especially when dealing with zombies. Amy and I pose the question, thanks to a commenter from the article The Cure is Worse than the Disease quoted below: What would a community look like? And what would be the structure of it’s morality and ethics, considering the violent and traumatic kind of life lived while zombies walked?

Amy:
There would still be a lot of thorny moral and legal issues if the world managed to rebuild after zombies.  Would people be prosecuted for crimes committed during the apocalypse or not?  At what point does a crime become so heinous that it cannot be ignored or does the fact that laws were irrelevant mean crimes didn’t even exist and thus cannot be punished?

Northsongs:
Great analysis. And I am really interested in the question you pose about people being prosecuted for things they’ve done during the apocalypse. For example, Randall’s situation. If he was executed by the group, would (and should) that come back to haunt them post-recovery of civilization. He actually hasn’t been convicted of a crime (although we suspect he was firing at Rick and Glenn outside the bar in town.) interesting idea, Amy. After the breakdown of civilization, do the laws existing prior still have relevance after/during?

Jessie:
That’s a great question. But first I think we have to determine whether the same system of ethics and morality apply before we can decide if the laws and/or system of judgment do. The laws are based on our ethics as a group, and it’s plain to see that these ethics have been degrading with each episode — thus Dale’s frustration at the treatment of Randall. Personally, I think that our ethics and laws are worth upholding, though it would be necessary to change the specifics of the laws somewhat because of the circumstances. This also brings up the question of how to handle the different dynamics/decisions made between groups of survivors. One group may decide to act in a way that is civil according to our current standards, but another chooses to act in a completely immoral (according to our laws) manner. How does the “ethical” group defend itself? So many questions to keep asking from that point on!

Amy:
I don’t consider law to be predicated on morality, so in my mind, they are two separate issues.  For instance, some people consider abortion immoral, but it is legal.  Conversely, some people consider assisted suicide moral, but it is illegal.  Morality has no true right or wrong because it is different culture to culture and person to person.  Law, in theory, is concrete, though there are obviously innumerable ways of interpreting it.  Of course, the way I am thinking of morality is how it is perceived in popular culture, that is, what people think is “good” and what they think is “bad”.

That said, in an environment such as a zombie apocalypse, it does not seem possible to subscribe to the laws of old.  The three branches that deal with creating, executing, and enforcing them no longer exist.  If we accept that premise, then the two options are to create a new government or use a moral code to instruct behavior.  If the latter is chosen it creates a situation where every group of survivors would have a different way of tackling issues of morality.

Jessie:
You make a good point about the difference of laws and morality…I was trying to say more that our idea of ethics, the philosophical and hypothetical situations where we pose what would be the “lesser of two evils” kind of thought process seem to be what initially directed lawmaking. You and I have discussed the example where a person is standing at a lever that controls a train’s direction. If left to go one way, it will hit your best friend stuck on the tracks. If left to go another, five strangers will die when the train crashes due to broken tracks. Which is the “right”, or better, choice?

With that in mind, I wonder if that kind of reasoning is still applicable in a survival-mode kind of life. Is it possible for people to continue making decisions with that ethical structure when their most basic needs are at risk constantly?

18 Miles Out - Shane, Randall and RickAmy:
I suppose it depends on which choice in the train example you would consider to be the “correct” one.  If you subscribe to the idea that providing the greatest happiness to the greatest number of people is the moral standard, than you would have to save the five strangers.  However, we did see in the show how Shane most certainly did not fall into that way of thinking, as his actions were always based on saving himself, Lori, Carl, and later the baby.  On the other hand, we see Rick for the most part attempt to do what is best for the group at large.  Can we say whether one way is more correct than the other?  When it comes down to it, people want to survive and it is difficult to begrudge someone for doing what they can in such an outlandish situation as a zombie apocalypse.  We cannot help but judge their actions based on our own moral views from our world, but does that adequately translate to their reality?

Jessie:
Such a difficult question. Especially when you take into account the levels of trauma sustained by seeing most of your loved ones die violently and then return from the dead with a mindless desire to violently kill and consume you. We can’t possibly imagine the full ramifications that situation would have on an individual’s psyche, let alone how that would affect their moral decisions, especially as the situation changes. Unethical situations, like when Shane shot Otis to save himself as the more likely candidate to get back to the farm, as well as to save his own life, are typically rationalized. Put another way, people look for ways to defend themselves socially, so they find “reasons” for why they make the decisions they make. Rarely are these reasons based in true logic or ethical questioning. They are usually based on how they best serve the purpose of saving face with the group.

Shane Save The Last OneShane told the others that Otis handed him the bag and offered to cover his retreat, effectually sacrificing himself. When confronted on that blatant lie, he rationalized that he had indeed left Otis behind as a sacrifice, but it was for Carl’s sake. This is the lie he tells himself to get through the guilt of causing a decent person’s brutal death. Hershel rationalizes keeping Walkers in the barn as the “right” thing to do because it’s humane. He tells himself these people are sick, not walking corpses, because that’s what it takes for him to deal with the grief of losing his family. There are many more examples of this throughout the show, but the main point is that human nature instinctively causes us to create a reason that suits our desires or needs, especially under duress. I think, because of this tendency, we would see and have seen a gradual decline in the nature of lawfulness. But would that continue into the post-apocalypse community? I can’t see how it wouldn’t, at least to some degree. The human psyche is an amazing thing, but with the kind of emotional scars this world would deal, the ethical structure must inevitably be damaged. Perhaps better to say changed, because in a few generations there wouldn’t be any concept of what had been considered lawfulness.

I wouldn’t be surprised to see regression in the laws of the land. Capitol punishment would likely have a huge resurgence, because it would be the easiest way to keep order. Pair that with corporal punishment as a deterrent for theft, disloyalty or other offenses, and you’d have a strong motivation to keep from breaking laws. I would imagine that someone who has been through so much death and terror would be numb to the idea of killing for the sake of safety. But, I would say this situation could only arise if most higher concepts such as hope, beauty, and faith in humanity had been corrupted or lost completely.

Amy:
If I can back up a little, I like the point you bring up on social dynamics.  In a lot of ways the importance of other peoples’ opinions drops down to zero in the zombie apocalypse, as the more pressing concern of mere survival take precedence.  Things that we look down upon, such as poor hygiene and invading personal space, would no longer be reasons for scorn.  People would have no time to keep up all the little social niceties that used to be expected of them.  Conversely, in this new world being in the good graces of other people can mean the difference between life and death.  Had Shane admitted openly that he murdered Otis to survive there is a possibility that he could have ended up in the same sort of situation that Randall did.  Of course, his relationship with Rick would have almost certainly protected him from the death penalty, but that just illuminates what a difference positive relationships make in that world.  Many members of the group were willing to kill Randall merely because he was not one of them.

On that note, I have to disagree with you on what it would take for people to accept capitol and corporal punishment as the norm.  We see from Randall’s case how easily they slipped into that mode of thinking and it is not difficult to understand why.  It is the sort of group-think that allowed Hitler to gain so much power.  As long as the individual is promised protection, the base necessities to survive, and not tasked with doing the dirty work of actually maiming or murdering someone, they will be willing to close their eyes to a lot of things, and even justify brutalities they see firsthand.  Once someone has experienced the horror of the dead rising, managed to survive, and then somehow made it into a place with a semblance of normality, they will hold onto that slice of life with a death grip.

Jessie:
That’s a really interesting point, about the social dynamics. Do you think those norms would be completely changed in this new world order? I could see people going back to bathing more, since we know as much as we do about how disease spreads. I would imagine you’re right, there’d be a more hierarchical system where if you’re in good with the leader types, you’re more likely to stay alive. And with someone like Rick, as long as you’re straight with him about things that happen, there’s a level of leniency because of his former training as a law enforcement officer, and after the scare with Dale and wanting to prove that their group isn’t broken. It would certainly be interesting to see!

As for the Hitler’s Germany comparison, I can definitely see that. But do you think that’s still likely after what happened in Randall’s case? After Dale died like that? I suppose if there’s enough time between this one event and reconstruction it’s quite likely. People quickly forget lessons learned, even when attached to such intense situations.

Amy:
The answers to both of your questions depend on how long the world went on with zombies in it before reconstruction happened.  If enough time passed where everyone alive grew up only knowing a world where the dead walked, I would posit that social norms and expectations would be massively different.  I liken it to the current generation that does not know a world without instant access to the Internet anywhere, let alone a world without the Internet at all.  Language, social interactions and social mores are so different from even just twenty years ago.  Even if the time passed was less significant, I still think that whatever society emerged as a result would be forever based on the knowledge that a true horror like the walking dead was possible.  Things like regular bathing would go back to normal I’m sure, but others, such as the heightened need for security, would be ingrained so deeply as to be impossible to shake.

As for the issue of Dale’s death stopping the group from using capitol and corporal punishment, that may very well be the case, but only until the next crisis.  People tend to have knee-jerk reactions to a shocking event, whether for the better or the worse.  After September 11th, Americans pulled together in a way that I had never seen before, putting aside petty issues and differences.  It was truly awe-inspiring and comforting in such a trying time.  However, as I am sure you remember, it did not take long to return to the old ways of disparaging each other for one reason or another.  As humans we cannot seem to help turning things into “us versus them” and that is only compounded when every moment is fraught with danger.

Rick Grimes Black and WhiteMy question to you is what kind of effect will Shane’s death have on Rick’s style of leadership?  The manner in which Rick killed Shane was hardly straightforward self-defense and in the season finale he even admits to Lori that he wanted Shane dead at that point.  He also openly states that members of the group are free to leave, but if they stay it is no longer going to be a democracy.  Do you consider Rick’s actions to be ethical in these cases? Will this take the group in a new darker direction?

O Brother, Where Art Thou?

Merle Dixon - O brother, where art thou?I want to take some time and talk about Daryl and his relationship with his brother Merle. Daryl’s a fan favorite of The Walking Dead, and I’m glad he his, (I thought I was the only one!). As such, I think it’s best to study the character, find out what makes him tick, and where Merle fits into all of that.

Now we’re not given the gritty details, but we can infer quite a bit about the two brothers:

Merle’s attitude proclaims his racism; he says what he wants, when he wants, and he’s more than willing to fight any who oppose him. He’s crass, belligerent, and regrettably obstinate. I mean, you’d pretty much have to be to sever your own hand to survive!

Merle is a crude individual who looks out for número uno para siempre, (roughly translated to “number one forever”). If someone was on fire, Merle’s the kind of guy who would put it out only if he had to piss. An opportunist through and through, and Daryl knows it.

Conversely, Daryl is a good-hearted man. Daryl is the guy who would watch a bar fight out of the corner of his eye, interrupting only if it wasn’t a fair fight. Under his tough exterior is a saint, (see what I did there?).

Daryl is a defensive, he’s self reliant, but he’s generally a loner. He appears aggressive as a defense mechanism, because he doesn’t do well with emotions. Everything is logical and has a purpose in the cold world. He’s observant, contemplative, and deep down, someone longing for a place.

Daryl knows that his brother is good for nothing; in Chupacabra, Daryl confronts a fictional Merle that represents his psyche. He fights his survival instincts that tell him Rick is no good; the group is a ragtag bunch of city folk that look down on him; he’s nothing but an errand boy, worth less than the dirt they walk on. He fights these thoughts just as much as he fights his guilt for “abandoning” Merle.

That’s what the episode was about. Hell, that is what the search for Sophia is about. To Daryl, finding Sophia will absolve him of his self inflicted guilt. Guilt that he carries, not because he failed to find his brother, but because he gave up willingly. He gave up because he knows Merle is a liability. He left Atlanta with Rick, Glenn, and T-Dog in Vatos because he knew in his heart that Merle wasn’t worth the trouble.

But here’s the rub: all of the progress that Daryl’s made these sixteen episodes is about to be put to the test next season with the return of Merle Dixon. If we assume that Merle is indeed alive, there’s no telling what kind of havoc he will wreck on the group, but more importantly, how he will affect the crossbow wielding survivalist.

As much as he believes his brother to be a bastard, Daryl is a man of honor, conviction, and most of all loyalty. He is a man head and shoulders over Merle, Shane, and in some instances, even Rick. This endearing and admirable quality could spell demise for Daryl; on the one hand, he has his loyalty to Rick and the group, a loyalty that was restored by Dale; on the other hand, Merle is still his kin, and Daryl will be the better man to a fault for that blood bond.

So will Daryl embrace his brother with open arms, or will he finally beat the cold bastard at his own game, in order to protect what’s his? My greatest fear for The Walking Dead is losing Daryl. Especially to his demons, and to Merle.

When One Door Opens, Another Closes

episode-7-sophiaThis is a twist on the old adage meant to give hope and inspiration to people whose lives have taken a turn for the worse; to give the illusion that opportunity is always just around a corner. In The Walking Dead however, it seems that every time a new face turns up, one of the core group is irrevocably lost.

Before I explain the examples of this thought, let me first clarify my restrictions for choosing them. I do not include the Morales family because to our knowledge they have not been killed, but rather chose to leave the group and head out on their own. Those I do include are people who have become a part of the group, with the exception of Otis, who would have been a part of the group (as a member of Hershel’s group he would have merged with the original Atlanta group) had he lived.

Jaqui_and_Jenner_CDCThe first example of this idea comes when Rick meets up with the survivors in Atlanta. Unfortunately, he is the new face in this instance. With his arrival, we see a horde of zombies attack the camp the survivors had staked out, which causes the deaths of Amy, Ed and ultimately Jim. Next we have Jacqui’s death. This occurs after being allowed into the CDC and discovering that a cure has not and likely will not be discovered within the United States. She chooses to stay in the building when it explodes as part of the emergency safety measures. When the group moves to Hershel’s farm after Carl is shot, we have Otis killed by Shane. In this instance, I’d say he was both the new face and the death that followed, which is an unusual circumstance in the pattern. After meeting and getting to know Hershel’s household, we discover that Sophia is indeed dead, and was one of the Walkers kept in their barn. Finally, Randall is brought to the farm in an effort to save him, Rick decides to let him live, and then Dale is killed by a Walker.

After seeing this pattern, I couldn’t help but wonder why it happens that way? I brought up this topic with fellow writer Amy Gugerty and she pointed out that there is a logistical reason for this: too many characters to follow means not enough attention devoted to them. People don’t remember who they are or what they’ve done. I am guilty of this myself. I had forgotten who the Morales family was, who Jacqui was, and that Jim was a part of the show. This makes sense, but I think there’s more to it than just logistics.

Episode-3-DaleI think that the line of who has died mirrors not only the deteriorating humanity of the group (Thanks Amy for that bit), but also their deteriorating hopes and morale. With each death, something vital is sucked away from the company. Obviously a life is gone, but each death indicates a loss of chance, of future opportunities that would have existed had that person survived. With Amy, it was a chance of familial bond for Andrea, which at the time she felt was the only reason she had to keep going forward. It’s difficult to see this kind of opportunity present with Ed and Jim, as their ties were tenuous to the group. Jacqui’s death corresponds with the death of the hope for a cure, and has members of the group wondering if suicide is the better option than survival. When Otis is killed, we see the death of decency in Shane – he has become a creature that will do whatever it takes for its own survival. Sophia’s death indicates the end of childhood; not even children are sacred or safe in a world where the dead rise again. And finally, Dale’s death expresses the finality of the group’s concern for safety superceding the untried killing of an individual. His is a symbol for the death of justice as we’ve known it, and the death of civilization and the qualities of goodness that make people greater than the sum of their individuality. Even with Rick’s turnaround, the fact that Dale is killed gives a sense of too little, too late, and there’s no going back now. An irrevocable act, a door closed.

My thanks to my friend Joe for giving me the idea for this article, without his comments I wouldn’t have had this brainstorm!

The Cure is Worse than the Disease

Cure for walkersUp until recently, the defining aspect of Hershel’s character has been his staunch belief that Walkers are in fact sick people who could potentially be cured some day. Although he has come away from that way of thinking following the barn incident, the idea of a cure is one worth pondering. On the surface, finding a cure would seem to be the best possible outcome of such a terrible situation. People no longer having to live fear. Walkers becoming human again. The world beginning to rebuild itself to some fraction of its former glory. However, this idealistic vision thinly veils what truly would be a horrific reality.

The most basic problem is the severe deterioration Walker bodies undergo in the time since they have died and been reanimated. Millions of former Walkers would be short digits, limbs, chunks of flesh from all over their bodies. The best case scenario is the group who could live without the parts they are missing. The worst case scenario are all the ones who would suffer in agonizing pain before dying because their bodies are so far gone. It is a safe bet that by the time any sort of cure is discovered Walkers would vastly outnumber the uninfected, so the logistics of simply providing medical care are unimaginable. Considering how we are always hearing stories of nursing shortages here in the United States, and that without any global-wide disaster, there is no way adequate medical care could be given to all that would need it.

Even though a significant number of Walkers would survive the transformation back into being human, from there the problems just grow. Assuming that they regain use of all of their faculties, these former Walkers would have months, even years, worth of memories of brutally murdering innocent people and engaging in cannibalism. Many, if not most, would be unable to live with themselves knowing what they did. Post-Traumatic Stress Disorder can be seen in those having experienced a wide range of trauma, from house fires to sexual abuse to war, so it is a sure bet that incidences of PTSD would skyrocket to unseen heights in former Walkers and surviving uninfected alike, both having experienced such horrific events. Cases of depression, violence, self-medication, and flashbacks (among others) would also crop up, whether as a result of PTSD or independently. As with the physical maladies discussed, the shear enormity of the psychological care needed would be insurmountable.

Another volatile issue in a world with the cure is handling the relations of uninfected and former Walkers. Reintegration would be a nightmare. Can you imagine living down the street from the person who tore apart your best friend with their teeth? Or moving back in with the spouse who ate your children alive? Violence between groups would be commonplace, as uninfected sought revenge for a loved one’s death or even just a way to release all of the anger. It would be the Truth and Reconciliation of Rwanda, but to the umpteenth degree.

As much as Hershel seemed to think that a cure would solve all of the post-apocalyptic word’s ills, in reality it would just create a whole new set of problems. Problems that could not be dealt with through a simple bullet to the brain. In the end, it seems the only sort of cure that would suffice is one that put Walkers out of their misery.