The Influence of Lori and Andrea

Posted on February 23, 2012 by Amy Gugerty

The big brawl between Rick and Shane looms on the horizon, and at the center are two of the show’s most polarizing figures.

In this post-apocalyptic word, most of the skills and jobs held before are completely irrelevant. For someone like Lori, who has no outstanding capabilities to fight walkers¹ or survive in harsh conditions, the only option is to attach herself to someone who is capable of those things. Enter Shane who, if inferences made from their conversation in Triggerfinger are correct, has had a thing for Lori since long before the virus happened. He is strong, a fighter, and willing to do anything to keep Lori and Carl safe, even if to the detriment of others. Then there is Rick. Her husband, also strong and capable, and a natural leader. Both of these men, although different in approach, are very much the alphas of the group.

Under these circumstances, it would be difficult to find a sense of self-worth, as Lori’s entire existence depends on another person. This all has led me to believe there is a part of Lori that enjoys having two alpha males fighting over her. It may be disingenuous to say it is a conscious feeling, but there is at the very least a sub-conscious pleasure to be had from the turmoil. Lori’s helplessness and neediness has fed into both men’s love and desire to protect, who then spend most of their waking energy on her. The majority of their decisions, especially of late, have been based in some way on Lori and, to a lesser extent, Carl. It would be difficult not to get an ego boost from such hyper-aware attention from the two most desirable men around². Despite being the one protected, Lori wields a very real power over them, and seeing as she has little control over the rest of her life, it is little wonder that she would sub-consciously revel in it.

Despite clinging to certain pre-apocalypse societal norms, such as honoring marriage by sticking with Rick, Lori shows a new level of ruthlessness in Triggerfinger. Shane’s increasingly aggressive way of handling things and obsessiveness towards Lori finally has her worried, and the way she approaches this situation is really what cemented my belief on Lori’s enjoyment of wielding power. She pulls a Lady Macbeth and essentially tells Rick that he needs to kill Shane before Shane gets him first. Although this showdown has been a longtime coming, Lori provides the tipping point for Rick.

The other player in this tableau is Andrea. She was in the same boat as Lori, but showed from the beginning an intense desire to be able to fight and has been reckless in its pursuit. Andrea has alienated herself from most of the group through the attempted suicide and endangerment of others by using a weapon without training, so when shown the least bit of consideration from Shane, she grabs onto it with a death grip. He has provided the means for her to finally be a contributing member of the group, as well as validation that she has some worth. Because of this, Andrea has been willfully blind to any indications that Shane is unstable. It of course doesn’t help that Dale is the one attempting to convince her of Shane’s duplicity, as she remains resentful of his interference at the CDC.

Andrea is not the only one getting something out of their relationship. In Andrea, Shane gets outside reinforcement in his belief that he is the only one that really takes care of the group; that the actions he takes are the correct ones. Although Shane does not need nearly as much outside influence as Rick does to come into conflict with each other, Andrea unwittingly provides it. When Shane says that their group is being put in danger and Andrea replies “Well, then we need to stop it”, she undoubtedly means making sure that Randall’s group does not find them. However, in Shane’s mind the real danger, the one who is standing in his way, is Rick. This constant affirmation from Andrea for his every action just cements in Shane’s mind that something needs to be done about Rick, both to protect the group and so he can claim what he believes to be rightfully his: Lori and the baby.

Based on the previews and sneak peaks for 18 Miles Out we will most likely be seeing the big confrontation between Rick and Shane and I for one cannot wait to see how it plays out.

1. Obviously Lori had her first Walker kills in Triggerfinger and did so fairly competently. However, I will postulate that this happened because there was literally no other option. She has shown over the course of the show a distinct unwillingness to learn survival skills. In any other situation we have seen where Lori come into contact with Walkers she has let someone else take care of her. The biggest instance of this was when the heard attacks camp in season one. All Lori does is scream “Shane” and hide behind his back. Perhaps with these recent kills we will see her evolve into someone that is not content with being saved, but as of now she is firmly in the role of the protected.

2. Although Daryl is the most capable of anyone in the group to survive, he is still viewed as a second class citizen by most of the group and not as a leader. At least, not yet!

Post-Apocalyptic Love Triangle: Shane, Lori and Rick

Posted on February 21, 2012 by antonymaldonado

I’ve read a lot and heard a lot about the Shane, Lori and Rick triangle. Here’s my two-cents about it:

Shane

He loves Lori. From what I’ve seen, he has loved Lori for years. Long before the apocalypse drew her to him. As much of a “prodigy, banging 30-year olds on the regular” as he was, I believe he was always jealous of Rick for finding Lori. Of course modern society left Shane at a disadvantage, because Rick was his best friend. Then Rick and Lori eventually married and had Carl. But I believe Shane always envied Rick because of that, and always saw what Rick had as his.

I mean he essentially saw Rick come into his own as a man and a leader, (this requires some assumption, based primarily on Rick’s authoritative demeanor in Days Gone Bye and Shane’s proceeding subservience leading into Season Two). Shane possesses the drive and natural protective instincts that a leader needs, but he does not have the right attitude nor the much-needed ability to detach his feelings and look at things as right versus wrong. I’ve said it before, and I thoroughly believe it: You need more than guts and determination to live in zombie land. You need compassion and good character. Just because the world’s gone to hell doesn’t mean you need to follow suit. Fair enough?

Lori

Her relationship with Rick was rocky before the introduction of walking corpses. Can you imagine that in your wedding vows? ‘Till death do we part, in sickness, health, and ravenous walkers.’ Married with zombies is a bit of an understatement. I believe she wanted Rick to be more assertive. To “yell at me when he’s mad,” and not take her crap all the time. Hell, she gave him permission to yell at her after the morning after pill fiasco. How twisted is that?

That is one of the reasons why I think she was drawn to Shane after the apocalypse. Yeah he lied to her about Rick’s death, though in his defense, that hospital was a hell-mouth. But I think she was too quick to believe him. Again, the introduction of zombies kind of forces one to deviate from ‘normal behaviors,’ but I believe it does that for the already weak. I think Lori was looking for a way out of that relationship when Shane offered her salvation.

There’s no doubt that Shane and Rick are two different men; Shane is the aggressive, ‘inherent’ alpha male that reacts; Rick is the passive, unlikely alpha male that thinks. They each have desirable qualities, but as a woman, I think Lori most identifies with Shane as her close to perfect mate. I think she loved him. But when Rick turned up alive, it through everything into question. Does she love Rick because she cares deeply for him? Or because she’s married to him?

I definitely believe she is torn between both men, and while her motives may not be pure, her actions are necessary to push Rick into a final confrontation with Shane. Tell it to the frogs.

Rick

Rick is a man that does not encourage his violent side. He is by no means a coward; he showed that in the closing minutes of Nebraska. But I do believe he needs to brazenly meet confrontation with the same determination he had when confronting Dave and Tony. Namely those choosing to challenge his leadership; in a word, Shane.

Now just because modern society has vanished doesn’t mean everyone has to follow Rick. They are free to make their own decision to leave. But since no one is attempting to go it alone, they all need to respect Rick. He is making the tough decisions, considering right and wrong in a world where most would pick wrong over right in an attempt to survive. Now I do not agree with all of his choices; for example, I would have shot Randall in the head and moved on.

But I respect what he is trying to do. He is trying to hold on to humanity in a world that forces most to abandon it. Now Rick has been trying to avoid a fight with Shane because Shane is his best friend. He values Shane’s commitment to the group and the necessary skills he brings to the table. But just like a wolf pack, there can be only one Alpha. And when an Alpha is challenged, like Shane has been subtly, (and not-so subtly) doing, a fight is inevitable. We are after all, animals.

So when it really comes down to it, this Rick versus Shane issue needs to be resolved. Not just for Rick to reclaim his family, but to show Shane that he needs to either respect Rick and his decisions, or get out. I hear Nebraska’s nice.

Sometimes You Gotta’ Shoot Your Own Dog

Posted on November 29, 2011 by Lockridge_Lisa

As the final scene played out in the 11/27/11 episode (Pretty Much Already Dead) and Rick was forced to shoot Sophia, I immediately thought of a classic movie I watched years ago. The moment was so reminiscent of Old Yeller that I am afraid this blog post may be telling people what they already know, but I simply can’t not discuss the two and how they relate.

Old Yeller, released by Disney in 1957, is based on the book of the same name by Fred Gipson. Set just after the Civil War, it is the story of a rural family and the dog that wanders onto their property. Younger son Arlis loves the dog. Teenage son Travis, the man of the house while his father is away, immediately dislikes the dog, but ends up developing a close bond with it. Yeller is bitten by a wolf while protecting Arlis and the dog contracts rabies. In what is often described as “one of the most tearful scenes in cinematic history,” Travis must put Yeller down, both to put the animal out of its misery and to protect his family. Travis knows that you have to live up the responsibility thrust upon you and do what needs to be done whether you want to or not. Sometimes that means shooting your own dog. In doing so he leaves behind the boy he was and becomes a man.

Like Travis shooting Yeller, Rick steps up and puts Sophia down. He does what we’re not sure we could do. We all thoughtlessly yammer on about how “I’d shoot every walker; I don’t care if it was my Mother,” but this scene forces us to question whether we’d really have the stones to do it. Could we be that kind of man? Even as the scene brings us to those questions, it shows the kind of man Rick truly is. He feels to blame for Sophia having been turned. As much as it hurts him, as much as he doesn’t want to do what has to be done, Rick shuts down that emotion and lives up to the responsibility thrust upon him. This is the mark of a true leader, of a real man.

He does what Shane talked so big about being able to do while teaching Andrea to shoot. Shane yelled at Andrea to turn off her emotions and take the shot, but was unable to take the shot himself when doing so was crucial. When Sophia emerges from the barn, Shane bows his head and does nothing. Rick, who had been on the sidelines in this scene, moves figuratively and literally from observer to participant. He sets his jaw and casts his eyes sideways, in what appears to be Shane’s direction, seeming to acknowledge his duty. He then steps forward, unholsters his Python, and does what has to be done. He shoots his own dog.

This act is part of what sets Rick apart from Shane. Shane is an immature teenager, trying to get everyone to follow him into action by forcing a confrontation with Herschel and Rick about the barn walkers. Rick is a man, trying to stop Shane’s ill-conceived plan and when that fails, stepping in to clean up Shane’s mess. Shane will never be half the man Rick is.

Andrew Lincoln played the scene well, probably better than any other we’ve seen thus far. Lincoln’s shifting facial expression – as Rick steps forward and draws his weapon – emphasizies the enormity of the action that Rick’s sense of responsibility requires him to do. The resignation rolled across his face like a storm cloud roiling across a clear June sky. His face showed – more than any dialogue could tell – that Rick was at a turning point. Does this indicate the much hoped-for shift from the overly cautious, often unsure of himself man we’ve seen in the TV show (childhood) to what readers of the graphic novels say is a much more decisive leader (adulthood)? I hope so. I look forward to a Rick who has more confidence in his leadership abilities, but still tempers himself with compassion, maturity, and purpose.