Q&A with Laurie Holden (Andrea)

twd-s3-laurie-holden-interview-325Actress Laurie Holden, who plays Andrea on AMC’s The Walking Dead, talks about her character’s final moments and the alternate “happy ending” she created for the fans.

Q: What a Season Finale! Did you have any input into Andrea’s final moments?

A: No, but what was written… the actual words that were spoken, felt absolutely perfect. It was organic and true to the character and I am grateful that her intent, what was most important in her heart, was finally spoken and shared.

Q. How do you feel about Andrea’s fate?

A. I will never think of her as a victim… I see her as a casualty of war. Andrea had a tumultuous journey this season, but at the end of the day, in spite of everything, so many positive things came out of it; the people of Woodbury did escape and reach their sanctuary and none of the people at the prison were killed.

Q: Andrea spends her last moments talking about why she didn’t kill the Governor when she had the chance. You’re a human rights activist; can you relate to her dilemma?

A: Absolutely, 100 percent. Listen, do I think it’s sad and a bit depressing that this woman got caught up in a bad situation and ended up losing her life? Yes, it is obviously a tragedy. But I truly believe Andrea’s death was not in vain. She went down fighting for the people. She believed in humanity. And at the end of the day, that is all that matters, really. Sometimes one must fall for the others to rise. And I am glad it was her and not any of the people she loved and cared for.

Q: What do you think about your character’s arc on the show?

A: It’s been such an incredible journey; the fact that this woman who was once suicidal and had no will to live, was able to grow, evolve and emerge not only as a survivor but as a leader? That’s been such an amazing gift for me as an artist. And I feel blessed to have had a three-season run. I am truly proud of this woman’s journey; I love who she became and what she stood for at the end of the world. After losing everyone and everything, she never lost her heart.

Q: What are some artifacts or mementos you have that you’ll hold onto to remember your time on the show?

A: I have been sent the most amazing artwork from people all over the world. The most beautiful lithographs and sculptures — I’ve been so touched by people’s creativity. I would have liked to take my gun, but I don’t think they would have let me on the plane with that!

Q: If you could have given Andrea any advice at the beginning of the season, what would it have been?

A: Andrea should have never allowed Michonne to leave those gates. She should have pressed further, because Michonne was dancing around the issue and not giving her the full story. If Andrea knew that there was any sort of real threat in Woodbury, she would have high-tailed it out of there with her bestie. But what’s done is done. I just wish they had better communication. Andrea loved Michonne with all her heart. It breaks my heart that they were separated.

Q: Andrea has had a handful of on-screen love moments thus far on the show. What’s the secret to getting a love scene out of the writer’s room?

A: Ok, first of all, it’s not necessarily a coup! I find it hilarious that other actors want love scenes. I’m like, “Guys, you have to show up on set in front of all your friends and colleagues, and millions of people are going to watch it.” It’s not exactly an easy day at the office. Listen, David Morrissey is a gentleman and he’s lovely, and I work with the utmost professionals, but it’s a strange thing to be intimate and naked in front of other people. It’s nuts!

Q: How did the on-screen rivalry between Woodbury and the prison play out on set?

A: In the beginning it was very playful and we would put pictures up on the makeup and hair trailer. Norman [Reedus], who is a very good friend of mine, would write notes saying, “You betrayed us, when are you coming back?” They liked to kid me, because they would see pictures of me showered and wearing clean clothes, and they’d be like, “What kind of show are you on, 90210?”

Q: There’s a great picture online of you strangling David Morrissey. Did you ever consider taking him out, so his character couldn’t take yours out?

A: I think that was the real “happy ending.” But since they weren’t going to get that ending, that was my cheeky way of giving it to them. The Governor is well beyond any sort of redemption.

Source: The Walking Dead on AMCtv.com

Angel and Devil

As the countdown to the Season Two Finale begins, fans of The Walking Dead wonder which cast members will fail to survive and fight on in Season Three. For the first time since the group left the CDC in Atlanta, I find myself hoping Andrea is not part of the upcoming body count.

Andrea Hershels FarmOh, I still don’t like her much. I also don’t like Lori, to the point I almost cringe typing my own name. The argument the two women had in the kitchen of the farmhouse a few episodes ago drove me crazy, because I agreed with every single rotten thing they said about each other. I sort of hoped a walker would lurch out of the pantry and have a bitch buffet.

But now I feel as if Andrea is on the cusp of something, and it could be very interesting. She’s made a lot of transitions in the first two seasons, perhaps more than any other character. She started out trying to be tough, going into town on missions. Still, despite being a civil rights attorney with – presumably – a life of her own, she in many ways remained the daughter who fished with her father and wanted to make up for ignoring her younger sister.

When Amy was attacked and awoke as a walker, Andrea dug deep, searching for the inner strength to do what had to be done to prevent her baby sister from continuing in that dark existence. It was undoubtedly the most difficult thing she’d ever had to do, but that decision came from love, not calculated, strategic violence. The act changed her profoundly, making her doubt her will to live in this new reality.

Dale and AndreaDale wouldn’t let her “opt out.” Seeing him as her surrogate father, Andrea saved herself to save him, and eventually regained her will to go on. But in order to protect herself from further emotional and psychological damage, she started pushing Dale away and stomped all her emotional sensitivity down, adopting a stoic, practical persona. And who guided her and nurtured this mercenary attitude? Shane. He taught her to shoot, and he encouraged her to tap into her repressed rage to find the cold, dead attitude he believed she needed to survive.

As the debate raged about deciding Randall’s fate, Dale reminded her of her former role as a civil rights attorney. She cared about fighting for people who couldn’t fight for themselves. By the time a decision was reached, she was wavering, asking if they could find another way to eliminate the threat the boy posed, short of killing him.

Andrea and ShaneDale was the angel on one shoulder, whispering in her ear about humanity, fighting for what’s right, and not letting the daily horrors change who she is on a fundamental level. Meanwhile, Shane was the devil on the other shoulder, urging her to shed her emotions in favor of a hard, calculating, merciless approach, focused on nothing but survival.

Now, in the space of about twenty-four hours, Andrea has lost her two primary influences. Her angel died, his integrity intact, even if his innards were not. Her devil also died, victim of his own murderous plot and the error of underestimating exactly how far Rick would go to protect his family.

Andrea has alienated herself from much of the group. The remaining men don’t really see her as the warrior she tried to become, and the women see her as a slacker or a cold, distant, delusional guardian wanna-be. Who will become her new stabilizing or destabilizing influence, if anyone? Will she become even more isolated and bitter in the absence of Dale? Will she become more ruthless, stepping up to fill the void left by Shane? Or will she remember her connection to Dale and recover her emotional balance, perhaps even developing into a unifying force in this traumatized, fractured group?

If she isn’t among the dead (or un-dead) at the end of the Season Two Finale, she will be a fascinating character to watch in Season Three.

The Influence of Lori and Andrea

Rick and shane 18 miles out The big brawl between Rick and Shane looms on the horizon, and at the center are two of the show’s most polarizing figures.

In this post-apocalyptic word, most of the skills and jobs held before are completely irrelevant. For someone like Lori, who has no outstanding capabilities to fight walkers¹ or survive in harsh conditions, the only option is to attach herself to someone who is capable of those things. Enter Shane who, if inferences made from their conversation in Triggerfinger are correct, has had a thing for Lori since long before the virus happened. He is strong, a fighter, and willing to do anything to keep Lori and Carl safe, even if to the detriment of others. Then there is Rick. Her husband, also strong and capable, and a natural leader. Both of these men, although different in approach, are very much the alphas of the group.

Under these circumstances, it would be difficult to find a sense of self-worth, as Lori’s entire existence depends on another person. This all has led me to believe there is a part of Lori that enjoys having two alpha males fighting over her. It may be disingenuous to say it is a conscious feeling, but there is at the very least a sub-conscious pleasure to be had from the turmoil. Lori’s helplessness and neediness has fed into both men’s love and desire to protect, who then spend most of their waking energy on her. The majority of their decisions, especially of late, have been based in some way on Lori and, to a lesser extent, Carl. It would be difficult not to get an ego boost from such hyper-aware attention from the two most desirable men around². Despite being the one protected, Lori wields a very real power over them, and seeing as she has little control over the rest of her life, it is little wonder that she would sub-consciously revel in it.

Rick and Lori GrimesDespite clinging to certain pre-apocalypse societal norms, such as honoring marriage by sticking with Rick, Lori shows a new level of ruthlessness in Triggerfinger. Shane’s increasingly aggressive way of handling things and obsessiveness towards Lori finally has her worried, and the way she approaches this situation is really what cemented my belief on Lori’s enjoyment of wielding power. She pulls a Lady Macbeth and essentially tells Rick that he needs to kill Shane before Shane gets him first. Although this showdown has been a longtime coming, Lori provides the tipping point for Rick.

The other player in this tableau is Andrea. She was in the same boat as Lori, but showed from the beginning an intense desire to be able to fight and has been reckless in its pursuit. Andrea has alienated herself from most of the group through the attempted suicide and endangerment of others by using a weapon without training, so when shown the least bit of consideration from Shane, she grabs onto it with a death grip. He has provided the means for her to finally be a contributing member of the group, as well as validation that she has some worth. Because of this, Andrea has been willfully blind to any indications that Shane is unstable. It of course doesn’t help that Dale is the one attempting to convince her of Shane’s duplicity, as she remains resentful of his interference at the CDC.

andrea and shaneAndrea is not the only one getting something out of their relationship. In Andrea, Shane gets outside reinforcement in his belief that he is the only one that really takes care of the group; that the actions he takes are the correct ones. Although Shane does not need nearly as much outside influence as Rick does to come into conflict with each other, Andrea unwittingly provides it. When Shane says that their group is being put in danger and Andrea replies “Well, then we need to stop it”, she undoubtedly means making sure that Randall’s group does not find them. However, in Shane’s mind the real danger, the one who is standing in his way, is Rick. This constant affirmation from Andrea for his every action just cements in Shane’s mind that something needs to be done about Rick, both to protect the group and so he can claim what he believes to be rightfully his: Lori and the baby.

Based on the previews and sneak peaks for 18 Miles Out we will most likely be seeing the big confrontation between Rick and Shane and I for one cannot wait to see how it plays out.

1. Obviously Lori had her first Walker kills in Triggerfinger and did so fairly competently. However, I will postulate that this happened because there was literally no other option. She has shown over the course of the show a distinct unwillingness to learn survival skills. In any other situation we have seen where Lori come into contact with Walkers she has let someone else take care of her. The biggest instance of this was when the heard attacks camp in season one. All Lori does is scream “Shane” and hide behind his back. Perhaps with these recent kills we will see her evolve into someone that is not content with being saved, but as of now she is firmly in the role of the protected.

2. Although Daryl is the most capable of anyone in the group to survive, he is still viewed as a second class citizen by most of the group and not as a leader. At least, not yet!