Carl (TV series) vs Carl (comics)

Those who are familiar with Carl Grimes of the comic know that the son of Rick matured greatly over the past events, different of the Carl silly, spoiled and trying to prove a man on half season 2 and beginning of the season 3. However, after the death of Lori this all seems to be changing…

After the events of Killer Within, the actor Chandler Riggs gave a new face to Carl Grimes, definitely taking the first steps to make it the Carl brave and intelligent just like in the comics.

It’s no secret that the intrusion and lack of education of Carl began after he was shot by Otis on the Hershel‘s farm during season 2 of the series. Since the boy was not the same ever since then. For example, going to encourage Rick to kill a prisoner, to cause the death of Dale for wanting to provoke and shoot a zombie stuck in the mud…

Honestly, foolish and thoughtless attitudes of Carl were annoying me deeply, because their actions by pure ego could result in serious problems for the group. But thanks to Glen Mazzara, growth and maturation of the son of Rick came before any bad thing he could cause.

Now, we can expect a Carl as good and skilled as his father.

New Kid on the (Cell) Block

Death is everywhere. Lurking around every corner, through every door, and down every stairwell, it is seen, heard, felt, smelled, and even tasted—it is inside everyone. The Grimes Gang has been put through the wringer (to put it ever so delicately), and somehow they’re always kicked when they’re already down. But, as they run through the tunnel of murky darkness of uncertainty and despair, and decay of a life that once was and hopelessness of ever returning to it, a glimmer of light, born through death itself, is there to greet them—a baby—a baby? A baby! The baby.

Walking Dead Baby Grimes

I’m going to take a leap of faith here and refer to the li’l whipper snapper as Baby Grimes, because, well, as Lori told Shane in season 2′s “Pretty Much Dead Already,” “Even if it’s yours it’s not going to be yours.” So, until DNA is submitted to Maury Povich for testing and the baby is scientifically proven to be a Grimes or a Walsh, Rick, you are the father.

Baby-daddy conflict aside, this child certainly has the cards stacked against her. She was conceived during an outbreak of an unknown infectious disease that turns dead human beings into fiends whose only mission is to eat you, aka the zombie apocalypse. The Four Horsemen could have rode into town, but her parents clearly weren’t thinking about that. After nature took its course and Lori discovered she was with child,  she panicked and tried to terminate the pregnancy by popping and then spitting out a handful of morning-after pills. By that time, Baby Grimes was already locked and loaded, and was impervious to the effects of such drugs. Over the next several months, the unborn baby’s host was subjected to daily emotional and physical stress, and possible (more like probable) malnutrition, which, in a normal, walker-free environment, would be grounds for miscarriage. Combined with a lack of prenatal medical care—sorry, Hershel, your offscreen examinations just didn’t cut the mustard; Carol’s postmortem version of the game Operation was entertaining, but, alas—this kid’s chances of survival weren’t looking so good. But, Baby Grimes somehow managed to endure—to survive—just like her parents, her brother, and the family she was about to be born into.

In near darkness, on the floor of a boiler room in a prison, with death shuffling past the unlocked door, sparing those behind it, Baby Grimes was born shortly after her mother drew her last breath. Lori’s hope for her children, and the strength and fearlessness she showed as she lay dying were passed on to her daughter. A symbol of love, hope, purity, forgiveness, and strength, Baby Grimes represents everything the group needs so they don’t lose sight of what it means to be human—living, civilized, good people. Although she is also the group’s greatest obstacle, she is meant to be.

Emerging from death, surrounded by death, the baby not only survived her environment, but appears to have thrived in it. The cherub-like infant seems to be healthy, and after crying for only what seemed like a moment, she was quiet as the walkers passed by—it’s almost like she knew to make herself invisible. Sadly, she was also invisible to the one person who should have embraced her—Rick. He was naturally and understandably overcome by the grief of losing Lori, but he didn’t even acknowledge his new daughter. He had some other matters to attend to. Mr. Grimes, you have a telephone call at the front desk.

Like Lori, Rick probably had a different vision for the birth of this child. He and the group had been through so much and worked so hard to move into and to secure the prison so Lori could have as comfortable—and safe—of a delivery as possible. Since the day he met the group on the rooftop in Atlanta, he took responsibility for their safety, often putting himself and his own family at risk. Although their relationship was extremely strained, the prison was Rick’s chance to prove to Lori that he had his family’s best interest in mind—and to escape the ghost of Shane by starting fresh with a clean slate. The baby was going to help them repair their marriage. However, Rick’s decision to let Andrew test his luck with the walkers ultimately led to the group’s safety being compromised, including T-Dog’s death and Carol’s disappearance—but was it really to blame for Lori’s death? Rick seemed to think so. Lori could have hemorrhaged to death while sitting on a lawn chair, drinking a glass of lemonade, watching Carl throw rocks at the walkers on the fence, and the outcome could have been the same. Regardless, Lori is dead, along with Rick’s hope for a fresh start and a chance of returning to normalcy. From that perspective, how could he possibly deal with a newborn, much less come to terms with the fact that she even exists?

Rick Grimes holding his baby daughterDeny it. Immerse yourself in guilt, and have telephone conversations with dead people. Check on your son and the rest of the group, but completely ignore your daughter…until you speak with your dead wife on the phone and realize that you need to get off the phone, deal with your issues instead of running from them, and hold your daughter for the first time. Perhaps Rick needs this baby as much as she needs him. He might secretly question whether she is biologically his, but one thing he knows is that beyond a shadow of a doubt, Lori was her mother—and part of her will live through their daughter. Now that Rick can accept Lori’s death and has closure, can he now see the light at the end of the tunnel? Is his hope restored? Can this kid finally be named?!

Naturally, raising a child in this environment will be challenging. Hell, raising a child in a pre-apocalyptic environment can be difficult. It has been said that it takes a village to raise a child—this couldn’t be any truer for Baby Grimes. So many challenges already face the group—how will they deal with the added stress of raising and protecting a baby? During Rick’s literal parental leave, the group embraced the baby, and without reluctance, complaint, or even a sigh, Daryl and Maggie immediately left to search for formula. The group has been as selfless in caring for the baby as Rick has been in leading them.

Daryl Dixon with BabyAlthough the baby has found her way into the hearts of the Grimes Gang, it appears that Daryl in particular has a real soft spot for her. Upon returning from the daycare center, Daryl, of all people, held the baby and soothed her as her first bottle was prepared. He was the first to feed her. He was the first to discuss naming her. He was the first to really bond with her. It’s clear that he truly cares for this baby. Is she the new hope for Daryl? Is she his second chance? Is she another child for him to protect? Is she the one he won’t fail? Will she give him a chance to forgive himself? When will he take the baby on her first squirrel hunt? I hear he’s working on a papoose.

What kind of life will Baby Grimes have? This new world that the survivors hope is temporary could be the only world she ever knows. If she lives to see at least her 5th birthday, will she have grown to be a soulless, cold, killing machine? Will she ever have a chance to be a kid? Will she ever have the chance to experience the life her brother did? Will she ever have the chance to be happy?

Rick Grimes kissing his babyThe Grimes Gang is determined to return to a life that is as close to normal as possible. Most people wouldn’t be too pleased with the term “life in prison” describing their lives, but since fleeing Hershel’s farm, and being on the run for several months, the prospect of the safety and security of a prison sounds pretty damn good. Every new home can use a good cleaning, and the prison is no different—once the walkers are eliminated, the group can begin its renaissance…with the sound of a baby’s laughter echoing throughout. Normal. Happy. Safe. Death may be everywhere, but so is life—and it always goes on.

Even with the Governor just around the corner.

Will Baby Grimes survive this season?

I vote on Governor

Finally one of the most anticipated phases – if not the most anticipated – for fans of the The Walking Dead comic came to the TV series: the emergence of the Governor.

I have read, received and interacted with all repercussions generated by the villain of the comics that came to life in the interpretation of British actor David Morrissey on TV, some positive, some negative. But most negative… As a big fan of the character, I could not fail to explain the reasons that make me “vote” by the Governor in the series.

First, I’m no manic psychopath who admires all the carnage done in comics (and at some point in the series…) and sick games of the villain, because I came to like the Governor after reading the book The Walking Dead: Rise of The Governor, which provides us with a look quite different from the comics and explores the past feelings of the character. As a bonus, a Hollywood star playing him on the series!

I understand the fans who wanted an introduction cruelest of the Governor, than he arrive putting everyone to run and pass leaving corpses on the floor. In fact, his introduction in the comics is shocking. However, we must remember that the series has its own life; it needs to work with a public that does not know the comics and therefore has a different view of events.

For a television version it makes much more sense that the Governor arrives in peace, as a good man and selfless able to help others in the midst of a zombie apocalypse, instead of make a dramatic entrance shooting and torturing everyone and everything ahead. The comic is very different from what we see in the series. Obviously, the characters (not all), events, ideas and attitudes comes from comic, but fans who read the comics and watch the series know that there is a huge difference between them. The series has a history and comics has another.

Some also complain that the entry of the Governor in the series was very dim and the character was underrated, but I say otherwise. The series raised the Governor to a new level by showing him as a strategist villain who works in psychological ways with people.

As a subtle introduction, it was brilliant. There was no need for all that noise and fireworks announcing his arrival to the series. He was presented as a simple leader/survivor who seeks the good of the people, when in fact – still in the same episode – we know his true face…

I believe that a two faces Governor sounds better than a sucker psychopath that thinks he is the best just for having weapons and a base well-orchestrated. Let’s think: posing of good guy, gentle and polite, the Governor may discover secrets of Andrea, Michonne, and eventually Rick‘s group, even be able to play them against each other and weaken their psychological structures. While a Governor nominated by himself a killer, hardly anyone would believe or would stay of his side. It’s a brilliant series approach in exploring this power and dominion he exercised on people through his speech savior in Woodbury.

The dialogue between the Governor and Andrea about “never say never” made me get up from the chair and applaud. Here we see the dark and somber personality of the Governor at the same time that you think “he’s The Man”. Also interesting is this climate of romance between him and Andrea, I believe that this relationship will be further explored in the series. Something that never appeared in comics, where the Governor shows no loving feeling for any woman.

Another factor is that we do not know the direction the TV series will take for Governor‘s story: comics, the novel or make your own way? For those who read The Walking Dead: Rise of The Governor, know that the book completely changes his story in the comic, however, is the question: which arch literary series The Walking Dead will take to show the story of the Governor?

For now, to paraphrase the title of the introductory episode of villain in the series, we will walk with the Governor.

A Ramble On: Character Development

Spoiler Disclaimer! Hey, if you read this you might have something “spoiled” for your viewing pleasure. Which I personally think is impossible with TWD as hearing something happens can never spoil the impact of actually watching it happen. But, you were warned.

So another Walkerday is upon us and I’m pretty excited. If you don’t know what Walkerday is, it is the long deserved renaming of Sunday. Sunday, that notoriously T.V boring day that every couch potato has dreaded for decades. But now we have walkers. I think Kirkman, TWD, & AMC deserve some Nobel prize for this feat alone. Now the seventh day is Walkerday.

Since the season 3 opener we have seen a much sharper, agile, and deadlier survivor crew. Somehow they managed to make it through winter in Grimestopia without losing anyone. I was impressed that everyone, including Maggie, had learned to tone that terror of zombies into a manageable respectful fear. Maggie went for that axe, with a walker charging down and no one covered her, and she did it with purpose. Everyone better knows the abilities and limitations of the rotting menace, which is good, as they waste no energy in pointless motion or fear.

It is fun to sit here in the early days of the TV series, and a solid 9 years of the comic series, and speculate on things. It’s a bit like an odd chess game maybe, trying to see how some character development that happened in the comic will work itself out in the very different show. One might laugh as there is no way of knowing if the show will even come close to nine years of run. I bet it will. A case in point is Rick. He is burning hard, going down that rabbit trail to total fanatical dictator, anger ripping his spirit to shreds. He is outside the door to that dark place. Now, in the comic Rick has a friend at this point in the story named Tyreese, who is a smart badass. They go through some crap and eventually Tyreese has to beat a few points into Rick’s thick head. Sometimes, this is the only way back out of the dark place.

There is no Tyreese in the show obviously, so who will step up? The crowd yells back, “Daryl !!”.  Ah yes, Daryl. He definitely has the character I imagined Tyreese having, and unlike Shane, I think he could win a fight with Rick half the time. The problem is: The beating needs to come from someone who is pretty close to the person needing the attitude adjustment. Someone the person respects, and most importantly someone that the person will want to keep the friendship with and repair it. I personally have not seen that depth of friendship, but I suppose it is possible but it won’t be as believable.

I wrote to the Letter Hacks for the comic asking a similar question about Carl. And was I shocked to not only have my letter printed, but I got the last page of issue #100. Total fluke, random event, but I feel honored somehow. My question was that Carl (in the comic) is clearly the heir to whatever Rick manages to build, and is also his father’s son to the bone. But he is so only through a hellish series of events that toughen him, balanced by very special events that help keep him sane. Most of these events will never happen in the show due to child safety laws, etc. Case in point: In the comic Carl kills Shane, the living breathing version, and in the show he kills zombie Shane. These are two very different psychological events. Young Carl can easily rationalize dropping a walker, but a living person is harder to deal with.

Time and again in the comic, it is Sophia that keeps Carl from growing into some serial killer by reminding him that it is Ok to be scared or compassionate, or just a kid sometimes. So, how does Carl get the right kind of tough and mean when none of the elements are there to make it happen? I really didn’t expect any other reply than the one I got, which was Kirkman’s standard, “You’ll have to wait and see.”  I did hope for a little more, not spoilers, but at least a, “Yeah, that is something I’ve thought about but think I have it covered.”

So, I watch all these characters and imagine and ponder. Is Kirkman and the writing team growing these characters believably? How would I have done it different, presuming I had the skill? Because it’s the believability in these average human beings that makes the show so compelling. You can believe that a Portal playing pizza delivery guy would be good at roping zombies, and you can see yourself in the situations presented and wonder how you would have reacted. I took that AMC test and it confirmed I am a “Dale”, and I have some leaning of Rick. I feel reasonably confident of how I would respond in a severe disaster. Fun stuff, really.

One of the thousand things that make the TV show The Walking Dead unique though is that there is the 9 year legacy of the comic series. You get to look into an alternate reality future for these characters and see Kirkman’s vision of how they develop. You know how Kirkman envisioned Rick, Carl, Andrea, Glenn, Michonne two or three years past where our beloved survivors are right now. And if you really enjoy the comics you become so familiar with characters that you root for them to grow into the people you know. Which is very fun.

That is the thing about a hobby. A hobby should in a fun way take you out of the grind of the day job, the hassles of getting through the day or week, and do it in a fun way. And that is what The Walking Dead gives me, a little peace now and then. The fun of pitting my imagination against a ridiculously talented pool of Hollywood power. I know Kirkman is re-imagining the story for many of the characters, but I don’t get the feeling he has re-imagined many of the personalities themselves much. While I thought that the comic story of Dale’s death was much more thrilling, I can see how the show version served to mature Carl, impact Rick, and allow Daryl some right to let Rick know when he is out of line. I still feel that Dale’s death was kind of empty, and unrealistic for such a vigilant person. But it worked, and there was a poetic irony of Dale’s death occurring so close to Shane’s.

So, as summer fun has been washed away by cold fall rains I enjoy a little mental rambling. I just don’t see how you are going to get character X to point Y without event Z, Kirkman. But I am betting you are going to come up with a totally unsuspected variable and achieve it despite my doubts. You will prove my logic flawed once again, and I will enjoy the ride as you do so.

It’s your move, Kirkman.

Five Reasons Why Daryl Is STILL My Favorite

My very first article on this site, many months and miles ago, was a fan girl love fest called Five Reason Why Daryl is My Favorite. After Season 2’s finale, Beside the Dying Fire, I have found that I just gotta’ go there again. Even though I’ve been down this road before, Daryl was, as a character, still in its infancy. He is more of an adolescent now. He’s grown and matured a bit; he’s learned from some of his mistakes; he seems on his way to becoming a responsible, respected member of society. (We only wish we could say this about all REAL children, don’t we?)

My previous reasons for liking this character so much were:

Daryl is a wild card;
Daryl is Mr. Practical;
Daryl calls it like he sees it;
Daryl is decisive;
Daryl has feelings, but he doesn’t let them control him.

Most of those still stand, with slight adjustment. Although he is less of a wild card and his actions are not as unpredictable, he still surprises us frequently. He is still very practical. He still calls things like he sees them. Decisiveness is still a key part of his character, although he is now somewhat less likely to shoot first and ask questions later. He also still keeps control of his emotions, well mostly. He still has some issues with that anger thing.  But having now seen Daryl in a variety of situations and been given clues to his budding friendships with the others, we have a better picture of the man he truly is. So, I now give you Five Reasons Why Daryl is STILL My Favorite.

Daryl in woods1) Daryl’s observation skills are exceptional. Several scenes in Season 2 have shown that Daryl notices damn near everything, even if he doesn’t feel the need to share. The perfect example is when he deduced that Shane killed Otis. Daryl told Dale in Judge, Jury, Executioner that he knew Shane had probably killed Otis because Shane “showed up with a dead guy’s gun” after the expedition to the high school. My husband, Jeff, with his own brilliant observation skills, quickly pointed out that detail when Save the Last One aired. As Shane wrenched Rick’s Colt Python from Otis’s hand, Jeff commented “So how is he going to explain having the gun?” We were both disappointed that no one in the group seemed to notice. Indeed, if events had played out the way Shane claimed, there’s no way he would’ve had the Python. It would still be in the undead claw of walker Otis. But the writers were only biding their time and we eventually had a payoff: someone HAD noticed. I’m very glad it was Daryl, because it added an air of intelligence that wasn’t apparent when the character was first introduced.

Although he seems by nature to be a suspicious guy, more than that makes Daryl’s observation skills so keen. His ability to see what others overlook comes in large part from his skills as a hunter. (Granted, he must be some kind of super tracker if he can notice – in pitch darkness – two sets of tracks, blood on a tree, and that “a little dust up occurred here,” but this is what suspension of disbelief is all about. If you can accept Andrea as an instant sharpshooter, you can accept that Daryl has freaky tracking skills.) Hunters must quietly observe their prey as they stalk it; to make the kill, they must pay attention to minutiae others would miss. It was nice to see Daryl’s tracking skills translated into his catching details about Shane’s story that the others didn’t catch. Both his ability to track things – be they escaped prisoners, missing little girls, or game animals for dinner – and his habit of noticing things about people that others don’t, Daryl’s skills of observation are HIGHLY valuable to the group.

 2) Daryl’s ability to read people and situations is almost uncanny. This goes hand in hand with his observation skills. If you pay close attention to someone’s body language or improbable details in a story someone tells, you will often be able to figure out what people are really thinking or that there are things they aren’t telling you that they should be. In the conversation mentioned above, Daryl tells Dale something that shows he easily identified Rick’s inability to see clearly things about Shane. Regarding Rick’s not picking up on the likelihood that Shane killed Otis, Daryl says “Rick ain’t stupid. If he didn’t figure it out, it was cuz he didn’t wanna.’” Wow… a pretty damn good call on how Rick viewed Shane. Rick, so blinded by what Shane used to be, could not see what Shane had become. Daryl saw that Rick’s long held feelings clouded his perception of his best friend. Daryl also saw that it was Rick’s own fault if he couldn’t or wouldn’t adjust his view of Shane. Daryl just didn’t feel the need to point this out to Rick.

He was not shy however about making it known that he thought Shane was lying in Better Angels. When he asked Shane how Randall was able to get the jump on the former deputy despite only weighing “a buck twenty-five,” it was pretty obvious he could read Shane and the situation for what it really was. Didn’t mean he knew what Shane was up to, only that something didn’t smell right about Shane’s description of events. It also reinforced the fact he calls it like he sees it and he called “bullshit” on Shane’s story.

3) Daryl is willing to help Rick with the “heavy lifting.” In both interrogating Randall and shooting Dale, Daryl showed he is capable of carrying out unpleasant tasks if they need to be done. This is something that others – and yes, I’m talking about Shane here – have not been either willing or able to do. I suspect that even if Shane had remained alive, Daryl would still have become Rick’s wingman and Shane’s role in the group’s leadership would have diminished significantly.

I’ve seen many comments online recently describing Daryl as “Rick’s enforcer,” but I disagree with that assessment. Daryl is not an enforcer by the classic definition of the word. According to Miriam Webster, my favorite dictionary, “enforcer” is defined as “1.) one that enforces 2.) a: a violent criminal employed by a crime syndicate; b: a player known for rough play and fighting.” (There are other definitions, but only one of the 10 or so I could find would fit Daryl’s role as “one whose job it is to execute unpleasant tasks for a superior” and to me, that is a definition by usage, not a meaning that comes from the actual word history. It’s a minor academic point, but I am a minor academic!) An enforcer’s role is to ensure compliance with rules or help maintain rule over a group. Daryl does neither. An enforcer’s role is to be a violent man. Daryl is not. He is simply a man capable of violence. There is a difference. Daryl doesn’t necessarily LIKE violence; he is however very good at it, when he has to be.

4) Daryl gets some of the best lines. If it is smart-assed or sarcastic and delivered dead-pan with a dash of piss and vinegar, chances are Daryl is the one saying it. My favorites in Season 2 include:

“Climb out of my ass, old man!” to Dale when he ask asks if Daryl let Lori go with Maggie in Triggerfinger.

“It ain’t the mountains of Tibet; it’s Georgia!” to Andrea when she asks if Daryl thinks they’ll find Sophia in Save the Last One.

“Look at him. Hanging up there like a big piñata.” To Andrea when they find the tree walker in Save the Last One.

“That’s the third time you’ve pointed that thing at my head. You gonna’ shoot me or what?” to Rick in Chupacabra, followed of course by “I didn’t think you’d do it” when Andrea actually takes a shot at him.

“Shoot me again, you best pray I’m dead” to Andrea in Secrets.

“It’s as good a night as any” to Herschel in Beside the Dying Fire when Herschel tells him “It’s my farm; I’ll die here.”

Daryl and Carol5) Daryl is part of the group, again. Early in Season 2, he accepted direction from Rick in the search for Sophia. As he put so much of himself into that search, we could see Daryl slowly becoming more a part of the group. He opened up a bit to Andrea and Carol. He defended Rick to his hallucination of Merle. But let’s face it; if they planned to keep Daryl in the series, the writers had to give him greater depth and more back story. They had to give him more emotional ties to the group. (Sadly, they have yet to do the same things for T-Dog, but that’s another article!) To say Daryl withdrew emotionally and physically from the others after Sophia was discovered in the barn would be a huge understatement. Daryl got the bitterness and pain out of his system the only way he knew how: he got mad; he yelled at people; he blamed the innocent; and he stalked off to pout and cool down. But, eventually, he dealt with the situation and his anger about it lessened.

Daryl was still standoffish, but he slowly reintegrated. For example, he told Dale in Judge, Jury, Executioner that the group was “broken” and that he was better off fending for himself, but he didn’t leave. Daryl was also willing to accompany Rick to remove Randall from the farm in Better Angels, even though he was unconcerned with Randall’s fate. His only voiced thought on the situation was that once they were done “this whole pain in the ass will be a distant memory,” adding “good riddance.” A moment later, when Rick specifically asks if he’s “good with this,” Daryl replies “I don’t see us tradin’ haymakers at the side of the road; nobody wins that fight.” This provides a subtle reminder that Daryl, unlike Shane, won’t question Rick’s decisions or challenge Rick’s authority. He showed that despite being a loner who was perfectly capable of surviving without the group he was willing to be a team player. When the group comes back together on the highway after the farm is overrun in Beside the Dying Fire, it was especially heartening to see Rick and Daryl lock hands like they did. To me, that action showed Daryl’s growing connection to Rick as did his defense of Rick to Carol later beside the campfire when Carol appeared to be trying to talk him into either taking control of the group or leaving it. Daryl isn’t interested in her suggestion. Now that it is now longer a democracy, maybe Daryl will become Rick’s enforcer instead of just Rick’s doer of difficult and dirty deeds.

This last point brings me to a very important question: What happens when Merle returns? Merle is said to be returning at some point in Season 3. Daryl, in his new position as Rick’s wingman, you know, the position that Shane, uh, vacated, will undoubtedly be torn between his brother and the group. Yes, Merle is kin, but the group is becoming more of a “family” to Daryl then I think the older Dixon boy was ever capable of being, shared DNA be damned. Hell yes, there will be fireworks between the brothers, that goes without saying. I’ve said it before, but it bears repeating: watching Michael Rooker and Norman Reedus on screen together is well worth the price of admission. Hell, it’s worth the cost of two tickets!

As the writers explored Daryl’s character over the course of Season 2, Reedus continued to use body language to provide his own clues about Daryl’s personality. At times, Daryl’s inner struggle with being a part of the group versus keeping himself on its periphery – a key element for the character’s development – was almost painfully obvious. We often saw him off to the side of the group, unengaged, which showed us two things: 1.) he was still a loner and not comfortable connecting with people or forming close friendships; and 2.) he was always watching and evaluating his fellow survivors, trying to determine if they were worth his time and effort.

His mannerisms and facial expressions also provided insight into Daryl’s thoughts. Sometimes that vision was cloudy; other times it was as clear as an August morning in Georgia after the haze of dawn has burned away. As Shane told the story about Otis’s last moments, we saw Daryl in the background, saying nothing, just squinting as he listened. Was he skeptical of Shane’s tale or just bored and ready to get the whole affair over with so he could continue the search for Sophia? As the story played out, it appeared to have been both. But when he questioned Shane about his story regarding Randall, there was no confusion over what Daryl was really thinking. His wrinkled brow and “that just don’t make no sense” expression emphasized the fact he wasn’t buying what the other man was trying to sell.

Finally, another important element for the character’s development, the amount of anger he displayed changed minutely. Daryl still had a couple of verbal explosions, but all in all, he seemed to have mellowed somewhat, perhaps because he is more distanced by time from Merle. In Season 2 there were no squirrels thrown at anyone, no knives pulled, fewer veiled threats and angry, arms-folded-across-his-chest stances, and much less glaring. Okay, so there was still a LOT of glaring, but for the most part, it felt less… hostile. Which brings to mind a comment that I once heard Reedus make; he said that giving people dirty looks “kind of turned into a career” for him. Good thing too, because trust me, dude, we fan girls LOVE those dirty looks! Keep ‘em coming.

Angel and Devil

As the countdown to the Season Two Finale begins, fans of The Walking Dead wonder which cast members will fail to survive and fight on in Season Three. For the first time since the group left the CDC in Atlanta, I find myself hoping Andrea is not part of the upcoming body count.

Andrea Hershels FarmOh, I still don’t like her much. I also don’t like Lori, to the point I almost cringe typing my own name. The argument the two women had in the kitchen of the farmhouse a few episodes ago drove me crazy, because I agreed with every single rotten thing they said about each other. I sort of hoped a walker would lurch out of the pantry and have a bitch buffet.

But now I feel as if Andrea is on the cusp of something, and it could be very interesting. She’s made a lot of transitions in the first two seasons, perhaps more than any other character. She started out trying to be tough, going into town on missions. Still, despite being a civil rights attorney with – presumably – a life of her own, she in many ways remained the daughter who fished with her father and wanted to make up for ignoring her younger sister.

When Amy was attacked and awoke as a walker, Andrea dug deep, searching for the inner strength to do what had to be done to prevent her baby sister from continuing in that dark existence. It was undoubtedly the most difficult thing she’d ever had to do, but that decision came from love, not calculated, strategic violence. The act changed her profoundly, making her doubt her will to live in this new reality.

Dale and AndreaDale wouldn’t let her “opt out.” Seeing him as her surrogate father, Andrea saved herself to save him, and eventually regained her will to go on. But in order to protect herself from further emotional and psychological damage, she started pushing Dale away and stomped all her emotional sensitivity down, adopting a stoic, practical persona. And who guided her and nurtured this mercenary attitude? Shane. He taught her to shoot, and he encouraged her to tap into her repressed rage to find the cold, dead attitude he believed she needed to survive.

As the debate raged about deciding Randall’s fate, Dale reminded her of her former role as a civil rights attorney. She cared about fighting for people who couldn’t fight for themselves. By the time a decision was reached, she was wavering, asking if they could find another way to eliminate the threat the boy posed, short of killing him.

Andrea and ShaneDale was the angel on one shoulder, whispering in her ear about humanity, fighting for what’s right, and not letting the daily horrors change who she is on a fundamental level. Meanwhile, Shane was the devil on the other shoulder, urging her to shed her emotions in favor of a hard, calculating, merciless approach, focused on nothing but survival.

Now, in the space of about twenty-four hours, Andrea has lost her two primary influences. Her angel died, his integrity intact, even if his innards were not. Her devil also died, victim of his own murderous plot and the error of underestimating exactly how far Rick would go to protect his family.

Andrea has alienated herself from much of the group. The remaining men don’t really see her as the warrior she tried to become, and the women see her as a slacker or a cold, distant, delusional guardian wanna-be. Who will become her new stabilizing or destabilizing influence, if anyone? Will she become even more isolated and bitter in the absence of Dale? Will she become more ruthless, stepping up to fill the void left by Shane? Or will she remember her connection to Dale and recover her emotional balance, perhaps even developing into a unifying force in this traumatized, fractured group?

If she isn’t among the dead (or un-dead) at the end of the Season Two Finale, she will be a fascinating character to watch in Season Three.

Death of Innocence

Grimes FamilyLori Grimes‘ perception of Carl Grimes is one of innocence on the cusp of corruption. This is a sad, but true assertion. It’s evident in Chandler Riggs’ portrayal of the character, especially in episodes like Secrets and Pretty Much Dead Already.

In the opening of Secrets, we find a completely recovered Carl helping his mother feed chicks on the Greene farm. After some light banter, Carl comments about the location of the mother hens. Lori, in an attempt to reassure her young son, replies that maybe they are off somewhere, implying a necessary and inevitable return.

What Carl says in response surely caught his already ailing mother off guard: “Maybe they got eaten.” Immediately Lori reveals a sense of mingling shock and surprise at her son’s words; no doubt this walker filled world is beginning to rob her son of his innocence and happiness. What is most surprising is not the accuracy of that thought, but the answer Carl provides to his mother’s worried countenance. “Everything is food for something else.”

That singular statement reveals Carl’s awareness of not just his current surrounding, but of life in general. Whether he lives in zombie land or reality, he is not wrong in his assertion. He is maturing at a rate not yet understood by his parents; now whether or not that is in correspondence with the current crisis in which the world finds itself is debatable.

But what we can be sure of is his desire to prove himself, and to not remain a helpless victim. We see that again in Secrets, after he promises Lori that he understands the gravity of possessing a firearm. Carl is growing up, steadily coming into his own and asking for the opportunity to do what he feels is right for his family.

Carl grimes and deerWe can’t forget however, that he is still just a boy, and one far removed from his comic counterpart at this point. It’s this innocence that people like Shane look to manipulate in their favor, a tactic seen in Pretty Much Dead Already.

Shane knows that Carl looks up to him. It was a bond he attempted to break early in the second season, though that failed miserably when Otis shot Carl. So when Carl confronted Shane about his reluctance to search for Sophia, calling it “bullshit,” Shane saw an opportunity to kill two birds with one stone, (metaphorically of course). If Shane could turn Carl over to the dark side, so to speak, he could potentially win Lori as well. Shane used his charm and power over Carl’s remaining innocence and convinced him that saving Sophia meant securing their place on the farm, at all costs. How could Carl disagree?

He couldn’t because he sees the hardship his father has to endure as leader of their group. So Carl wants to prove himself capable of protecting what is his. He is maturing in a world that is all but corrupted by pain, sorrow and death; a world his mother views as being without joy. She struggles daily with the very idea of letting him live in this world because of the havoc that corruption may wreck on his impressionable psyche. We see it already at work on those of considerable experience: Shane, Andrea, even Rick.

Especially Rick, the man that Carl adores and worships like a god among men. When Rick killed Sophia, Carl immediately backed his father’s decision, saying he would have done the same thing himself. What a thing to say to your mother; that you would readily kill your best friend’s walking corpse without a second thought.

It must be difficult for Lori to watch her son lose his innocence this way. How painful it must be for both Rick and Lori, the knowledge that they are unable to protect their child from the horrors of the “real world,” and let him resume his childhood care-free. Sadly, it is a pain they must embrace in order to move on and truly protect him from harm. In zombie land, he could just as easily become a casualty like Sophia.

Now from a parental perspective, especially a Western parental perspective, Lori does not want Carl to grow up this way. She does not want her baby boy to brandish a weapon, let alone a loaded firearm. She does not want him to live in fear of an uncertain death or of debilitating loss.

Carl and WalkerThe problem is that neither Rick or herself can protect him the way they could in the old days. Hell, even in the old days it would prove difficult to preserve his innocence. The main difference between then and now, is that those that are corrupting her son are the same people that wish to protect him.

Children are very observant; it’s a trait we all pick up early because we are a social animal. We want to understand what is happening around us, to take part in it and have a hand in our destiny. We listen and we learn. Sometimes we pick up bad habits or overhear negative conversations. Since children lack the mental capacity to truly understand “adult” situations, they are left to perceive any given situation as best they can.

Walking Dead ExecutionCarl sees the nervousness of a group unable to carry weapons; he sees the slow degradation of his father’s indomitable spirit; he sees the anger the grips Shane’s heart. He sees his family dynamic slowly dissolving, and he wants to help fix it. Would you deny him?

Admittedly, he has a long way to go before he actually proves himself useful for killing walkers and not group members.

Daryl’s Ascendency

Daryl Dixon in Judge, Jury ExecutionerIn “Judge, Jury, Executioner” we fully see for the first time the new role Daryl is taking within the group. The episode opens with him torturing Randall for information. There is no indication of enjoyment in this repugnant task for Daryl, but instead a willingness to do what is necessary to protect the group, which he has come to view as a surrogate family despite all his protestations. Trusting him with this task shows Rick’s increasing trust and reliance on Daryl to get things done. After all, Rick is waiting in camp to base his entire decision of Randall’s execution on what Daryl has to say. This lets us know several key things.

Firstly, Rick is confident in Daryl’s abilities to get the information out of Randall without going too far and killing him. It would be easy to be caught up in the violence and cause mortal damage. Conversely, if he did not have the stomach for the calculated infliction of pain, the prisoner would gain the upper hand and ruin any chances of getting real intel on the hostile group. That Rick is unable to do this task himself is an interesting thing. Despite his insistence in “18 Miles Out” that he is no longer a good man, Rick shows conflict throughout this episode between the police officer he used to be and what he has to do now to survive.  Shane has proven to be capable of violence, but Rick did not look to him for this.

Secondly, Rick knows Daryl will not be fooled by disinformation or be suckered in by a sob story. We have seen from the beginning that a lot of people underestimate Daryl’s intelligence, whether due to his accent, appearance, or “redneck” background. However, as the show has progressed, it has become quite apparent that Daryl, while socially awkward and emotionally stunted, is very observant of others and we see in this episode especially that he knows a lot more than he lets on.  Daryl was never fooled by Shane’s rather weak story of how Otis died and knew before anyone else that he was not to be trusted.  That he did not share this information with anyone reinforces how isolated he has felt from the rest of group.

Lastly, and most importantly, Rick trusts that Daryl will be honest. Daryl lays out plainly exactly what kind of threat this other group is and what will happen to everyone should they attack. If Daryl was really some psycho he could have lied or left to join Randall’s people, but Rick obviously knows that Daryl is not that kind of guy.  The expressions on the faces of everyone else in camp when they realize how Daryl acquired the information show how little they understand his motivations and it is a slap in the face to Daryl, yet again.

Daryl and DaleHowever, Rick is not the only one to show Daryl a new level of respect in “Judge, Jury, Executioner”. When Dale is going around trying to convince others to keep Randall alive, the first person he goes to see is Daryl. Instead of launching right into a spiel, Dale expresses concern and conviction that Daryl is more important than he believes himself to be. Despite claiming to want to get away from everyone, Daryl listens and does not become combative with Dale. Carol is the only other person that has said something like this, but Dale takes it a step further by saying that he is in fact a better man than Shane. Daryl’s frustrated, bitter insistence that he does not have Rick’s ear, that Rick only listens to Shane, shows how much Daryl really likes and respects Rick. He wants to be that right-hand man, but feels inadequate and shunted to the side.  He desperately wants to be part of the group, but by saying it is “broken”, exhibits the fear that it will turn out to be the disaster his real family was.

At the end of the episode we see Daryl’s true colors and they are beautiful. When Dale screams, Daryl does not hesitate a second in sprinting to his aid. Daryl literally throws himself at the Walker to get it off of Dale. There has never been so much emotion towards another of the group from Daryl as in this scene.  Jumping and yelling for the others to come and help, he drops to his knees beside Dale and says an agonizing “Hang in there, buddy”. It is then we know what a profound effect Dale’s earlier words had on Daryl and how much he truly views the group as his people. The angel wing vest has never been more appropriate than at this moment. Daryl is willing to be the angel of mercy in place of Rick, willing to take on the burden of putting Dale out of his misery when no one else could. The compassion and sacrifice Daryl exhibits is heartbreaking.

Daryl shoots DaleThis is the turning point. There is no denying now that Daryl, though rough around the edges, shows the qualities of a genuine leader, a much more fitting second-in-command to Rick than Shane has ever been, as we once again see Shane not step up when the times call for a true leader to do so. It is interesting to note in the trailer for “Better Angels” that Rick is taking Daryl to set Randall loose, rather than Shane. Despite what Rick said to Lori about Shane no longer being problem, he obviously trusts Daryl more to have his back on this issue than Shane, considering that both Daryl and Shane wanted Randall dead. In the coming episodes, I fully expect Daryl to assume more responsibility and become Rick’s go-to guy. How this will play into Shane’s power struggles remains to be seen.

Post-Apocalyptic Love Triangle: Shane, Lori and Rick

I’ve read a lot and heard a lot about the Shane, Lori and Rick triangle. Here’s my two-cents about it:

Shane

Shane Walsh Love TriangleHe loves Lori. From what I’ve seen, he has loved Lori for years. Long before the apocalypse drew her to him. As much of a “prodigy, banging 30-year olds on the regular” as he was, I believe he was always jealous of Rick for finding Lori. Of course modern society left Shane at a disadvantage, because Rick was his best friend. Then Rick and Lori eventually married and had Carl. But I believe Shane always envied Rick because of that, and always saw what Rick had as his.

I mean he essentially saw Rick come into his own as a man and a leader, (this requires some assumption, based primarily on Rick’s authoritative demeanor in Days Gone Bye and Shane’s proceeding subservience leading into Season Two). Shane possesses the drive and natural protective instincts that a leader needs, but he does not have the right attitude nor the much-needed ability to detach his feelings and look at things as right versus wrong. I’ve said it before, and I thoroughly believe it: You need more than guts and determination to live in zombie land. You need compassion and good character. Just because the world’s gone to hell doesn’t mean you need to follow suit. Fair enough?

Lori 

Lori Grimes Love Triangle Her relationship with Rick was rocky before the introduction of walking corpses. Can you imagine that in your wedding vows? ‘Till death do we part, in sickness, health, and ravenous walkers.’ Married with zombies is a bit of an understatement. I believe she wanted Rick to be more assertive. To “yell at me when he’s mad,” and not take her crap all the time. Hell, she gave him permission to yell at her after the morning after pill fiasco. How twisted is that?

That is one of the reasons why I think she was drawn to Shane after the apocalypse. Yeah he lied to her about Rick’s death, though in his defense, that hospital was a hell-mouth. But I think she was too quick to believe him. Again, the introduction of zombies kind of forces one to deviate from ‘normal behaviors,’ but I believe it does that for the already weak. I think Lori was looking for a way out of that relationship when Shane offered her salvation.

There’s no doubt that Shane and Rick are two different men; Shane is the aggressive, ‘inherent’ alpha male that reacts; Rick is the passive, unlikely alpha male that thinks. They each have desirable qualities, but as a woman, I think Lori most identifies with Shane as her close to perfect mate. I think she loved him. But when Rick turned up alive, it through everything into question. Does she love Rick because she cares deeply for him? Or because she’s married to him?

I definitely believe she is torn between both men, and while her motives may not be pure, her actions are necessary to push Rick into a final confrontation with Shane. Tell it to the frogs.

Rick

Rick Grimes Love TriangleRick is a man that does not encourage his violent side. He is by no means a coward; he showed that in the closing minutes of Nebraska. But I do believe he needs to brazenly meet confrontation with the same determination he had when confronting Dave and Tony. Namely those choosing to challenge his leadership; in a word, Shane.

Now just because modern society has vanished doesn’t mean everyone has to follow Rick. They are free to make their own decision to leave. But since no one is attempting to go it alone, they all need to respect Rick. He is making the tough decisions, considering right and wrong in a world where most would pick wrong over right in an attempt to survive. Now I do not agree with all of his choices; for example, I would have shot Randall in the head and moved on.

But I respect what he is trying to do. He is trying to hold on to humanity in a world that forces most to abandon it. Now Rick has been trying to avoid a fight with Shane because Shane is his best friend. He values Shane’s commitment to the group and the necessary skills he brings to the table. But just like a wolf pack, there can be only one Alpha. And when an Alpha is challenged, like Shane has been subtly, (and not-so subtly) doing, a fight is inevitable. We are after all, animals.

So when it really comes down to it, this Rick versus Shane issue needs to be resolved. Not just for Rick to reclaim his family, but to show Shane that he needs to either respect Rick and his decisions, or get out. I hear Nebraska’s nice.